Ultramarine

Definition and stakes

Portrait of Harriet Elizabeth Prescott Spofford Harriet Elizabeth Prescott Spofford,  The Atlantic Monthly (1866)

“ There is a gleam of ultramarine,—which, most of all tints, say the painters, possesses the quality of light in itself,—banished to the farthest horizon of the ocean, where it lies all day, a line of infinite richness, not to be drawn by Apelles, and in its compression of expanse—leagues of sloping sea and summer calm being written in that single line—suggestive of more depth than plummet or diver can ever reach. ”
Source: Wikisource

J. Henry Middleton,  Illuminated Manuscripts in Classical and Mediaeval Times… (1892)

“ In illuminated manuscripts ultramarine is very freely used. It is specially noticeable for the thick body (impasto) in which it is applied, so as very often to stand out in visible relief. The reason of this is that this, and some other blue pigments, lose much of their depth of colour if they are ground into very fine powder. Hence both the ultramarine and smalto blues are always applied in comparatively coarse grained powder; and this of course necessitates the application of a thick body of colour. ”
Source: Wikisource

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