Edward B. Tylor

Biographical details

Portrait of Edward B. Tylor Edward B. Tylor,  Primitive culture, vol. 1 (of 2… (1871)

“ The myths shaped out of those endless analogies between man and nature which are the soul of all poetry, into those half-human stories still so full to us of unfading life and beauty, are the masterpieces of an art belonging rather to the past than to the present. The growth of myth has been checked by science, it is dying of weights and measures, of proportions and specimens—it is not only dying, but half dead, and students are anatomising it. In this world one must do what one can, and if the moderns cannot feel myth as their forefathers did, at least they can analyse it. ”
Source: Gutenberg

Portrait of Edward B. Tylor Edward B. Tylor,  Primitive culture, vol. 2 (of 2… (1871)

“ In Peru, a mighty and far-worshipped deity was Catequil the Thunder-god, child of the Heaven-god, he who set free the Indian race from out of the ground by turning it up with his golden spade, he who in thunder-flash and clap hurls from his sling the small round smooth thunderstones, treasured in the villages as fire-fetishes and charms to kindle the flames of love. ”
Source: Gutenberg

Portrait of Edward B. Tylor Edward B. Tylor,  Primitive culture, vol. 2 (of 2… (1871)

“ Even in the life of the rudest savage, religious belief is associated with intense emotion, with awful reverence, with agonizing terror, with rapt ecstasy when sense and thought utterly transcend the common level of daily life. How much the more in faiths where not only does the believer experience such enthusiasm, but where his utmost feelings of love and hope, of justice and mercy, of fortitude and tenderness and self-sacrificing devotion, of unutterable misery and dazzling happiness, twine and clasp round the fabric of religion. ”
Source: Gutenberg

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