John Millington Synge

Biographical details

Portrait of John Millington Synge John Millington Synge,  The Aran Islands (1912)

“ On some days I feel this island as a perfect home and resting-place; on other days I feel that I am a waif among the people. I can feel more with them than they can feel with me, and while I wander among them, they like me sometimes, and laugh at me sometimes, yet never know what I am doing.
In the evenings I sometimes meet with a girl who is not yet half through her teens, yet seems in some ways more consciously developed than any one else that I have met here. She has passed part of her life on the mainland, and the disillusion she found in Galway has coloured her imagination.
”
Source: Wikisource

Portrait of John Millington Synge John Millington Synge,  Riders to the Sea (1911)

“ CATHLEEN
Counts the stitches.
It’s that number is in it (crying out.) Ah, Nora, isn’t it a bitter thing to think of him floating that way to the far north, and no one to keen him but the black hags that do be flying on the sea?
NORA
Swinging herself round, and throwing out her arms on the clothes.
And isn’t it a pitiful thing when there is nothing left of a man who was a great rower and fisher, but a bit of an old shirt and a plain stocking?
CATHLEEN
After an instant.
Tell me is herself coming, Nora? I hear a little sound on the path.
NORA
Looking out.
”
Source: Wikisource

Portrait of John Millington Synge John Millington Synge,  The Aran Islands (1912)

“ I have come out to lie on the rocks, where I have the black edge of the north island in front of me; Galway Bay, too blue almost to look at, on my right, the Atlantic on my left, a perpendicular cliff under my ankles, and over me innumerable gulls that chase each other in a white cirrus of wings.
A nest of hooded crows is somewhere near me, and one of the old birds is trying to drive me away by letting itself fall like a stone every few moments, from about forty yards above me to within reach of my hand.
”
Source: Wikisource

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