John Millington Synge

John Millington Synge

Summary

Portrait of John Millington Synge John Millington Synge The Aran Islands (1912)

I have come out to lie on the rocks, where I have the black edge of the north island in front of me; Galway Bay, too blue almost to look at, on my right, the Atlantic on my left, a perpendicular cliff under my ankles, and over me innumerable gulls that chase each other in a white cirrus of wings.
A nest of hooded crows is somewhere near me, and one of the old birds is trying to drive me away by letting itself fall like a stone every few moments, from about forty yards above me to within reach of my hand.
Source: Wikisource

Portrait of John Millington Synge John Millington Synge The Aran Islands (1912)

On some days I feel this island as a perfect home and resting-place; on other days I feel that I am a waif among the people. I can feel more with them than they can feel with me, and while I wander among them, they like me sometimes, and laugh at me sometimes, yet never know what I am doing.
In the evenings I sometimes meet with a girl who is not yet half through her teens, yet seems in some ways more consciously developed than any one else that I have met here. She has passed part of her life on the mainland, and the disillusion she found in Galway has coloured her imagination.
Source: Wikisource

Portrait of John Millington Synge John Millington Synge The Aran Islands (1912)

It was a clear evening, and as we came out into the bay the sun stood like an aureole behind the cliffs of Inishmaan. A little later a brilliant glow came over the sky, throwing out the blue of the sea and of the hills of Connemara.
When it was quite dark, the cold became intense, and I wandered about the lonely vessel that seemed to be making her own way across the sea. I was the only passenger, and all the crew, except one boy who was steering, were huddled together in the warmth of the engine-room.
Source: Wikisource

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