Rodolfo Amedeo Lanciani

Biographical details

Portrait of Rodolfo Amedeo Lanciani Rodolfo Amedeo Lanciani,  Pagan and Christian Rome

“ Towards the end of 1881 another remarkable discovery took place in these catacombs: that of a cubiculum which in style of decoration is unique. It looks more like the room of a Pompeian house than a Christian crypt. Its architectural paintings with groups of frail columns supporting fantastic friezes, and enclosing pastoral landscapes, might be compared to the frescoes of the Golden House of Nero, or those of the house of Germanicus on the Palatine; but they find no parallel in "subterranean Rome." ”
Source: Gutenberg

Portrait of Rodolfo Amedeo Lanciani Rodolfo Amedeo Lanciani,  Pagan and Christian Rome

“ For a radius of a thousand feet around the gate, we meet with the typical remains of a Roman villa of the first century,—porticoes, water tanks, and substructions, from the platform of which there is a lovely view over the wooded plains of the Tiber and the Anio, the city, and the hills of the Vatican, and of the Janiculum, which frame the panorama. The site is pleasant, secluded, and quiet, so that it well fulfilled the wish for a secretior latetra expressed by Nero in his hopeless condition. ”
Source: Gutenberg

Portrait of Rodolfo Amedeo Lanciani Rodolfo Amedeo Lanciani,  Pagan and Christian Rome

“ Both the chapel and the crypt were found in a state of devastation hardly credible, as though the plunderers had taken pleasure in satisfying their vandalic instincts to the utmost. Each of the sarcophagi was broken into a hundred pieces; the mosaics of the walls and ceiling had been wrenched from their sockets, cube by cube, the marble incrustations torn off, the altar dismantled, the bones dispersed.
When did this wholesale destruction take place? In times much nearer ours than the reader may imagine.
”
Source: Gutenberg

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