W. J. Loftie

Biographical details

W. J. Loftie Whitehall: historical and architectural notes

It forms at the present day a conspicuous, but not beautiful, object from the deck of the passing steamer, but is seldom visited, as it has nothing except its vast size to recommend it. But the palace of Whitehall was designed by Inigo Jones to be both larger than any other, and also so beautiful that even the little fragment with which we are familiar has challenged the admiration of every one who has any architectural taste for more than two hundred and fifty years.
Source: Gutenberg

W. J. Loftie Whitehall: historical and architectural notes

France would not have gone to war to reinstate a Protestant dynasty, as it did not half a century later go to war to reinstate a Romanist, and the longer Charles I. lived the more improbable the return of his son became. But that scaffold at Whitehall altered the state of affairs. Instead of a King who certainly had not deserved well of his people, it gave them a young and, so far as they knew, an innocent and blameless King, whose coming they were forced, by the violence of the dominant faction, to hope for as for the salvation of their country.
Source: Gutenberg

W. J. Loftie Lessons in the Art of Illuminating

In fact, at that age the artist let nothing escape him that would go to enhance the beauty or brilliancy of his page. In the original this border enclosed a very elaborate miniature. These miniatures are very carefully and delicately painted, but perhaps by a different hand, as they are not equal in refinement to the borders. The Office for the Dead is ornamented with a black border, on which is architectural tracery in gold on which skulls are arranged, one of them with a pansy or heartsease and forget-me-not, beautifully painted, growing out of the hollow eyes.
Source: Gutenberg

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