Illuminator

Definition and stakes

John William Bradley,  Illuminated Manuscripts

“ In the twelfth century when, as far as we know, the word illuminator was first applied to one who practised the art of book decoration, it meant one who “lighted up” the page of the book with bright colours and burnished gold.
These processes suggest the definition of the art. Perfect illumination must contain both colours and metals. To this extent it is in perfect unison with the other mediæval art of heraldry; it might almost be called a twin-sister.
As an art it is much older than its name.
”
Source: Gutenberg

J. H. Middleton,  Illuminated manuscripts in classical and mediaeval times…

“ The gold mordant.The mordant. We now come to the most difficult part of the illuminator's art, that of producing a ground for his gold leaf of the highest hardness and smoothness of surface. It is a subject dealt with at much length by all the chief writers on the technique of the illuminator, from Theophilus in the eleventh century, down to Cennino Cennini at the beginning of the fourteenth [259] . ”
Source: Gutenberg

Portrait of William Morris William Morris,  Some Notes on Early Woodcut Books…

“ The pages of almost all books, from the 8th to the 15th century, are beautiful, even without the addition of ornament. In those that are ornamented without pictures illustrative of the text, the eye is so pleasured, and the fancy so tickled by the beauty and exhaustless cheerful invention of the illuminator, that one scarcely ventures to ask that the tale embodied in the written characters should be further illustrated. ”
Source: Gutenberg

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