Scriptorium

“ Every house of any note had its room set apart for writing. The larger monasteries sometimes utilised the cloisters of the churches themselves, in recesses of which they had desks or tables placed for the copyist. Usually, however, they had a large common room called the scriptorium, where either the copyist and illuminator worked separately and each on his own account, or where a number of copyists awaited with pen and parchment the dictation by one of the fraternity of some work of which a number of copies had to be made. ”

“ Scriptorium work was considered equal to labour in the fields. In the Rule of St. Fereol, in the sixth century, there is this clause: "He who doth not turn up the earth with his plough, ought to write the parchment with his fingers." The Capitulary of Charlemagne contains this phrase: "Do not permit your scribes or pupils, either in reading or writing, to garble the text; when you are preparing copies of the Gospels, the Psalter, or the Missal, see that the work is confided to men of mature age, who will write with due care." ”

“ Within four years there rose upon its site a pile of stately buildings under the title of St Benedict’s Abbey and school, a monastic and collegiate institution intended for the higher education of the sons of the Roman Catholic nobility and gentry. The series of buildings consists of the college, monastery, hospice and scriptorium—the four forming a quadrangle connected by beautiful cloisters. ”

“ For in cloistre cometh no man . to chide ne to fighte,
But alle is buxomnesse there and bokes . to rede and to lerne.”
Piers Plowman, B. x. 300
§I BEFORE leaving the subject of monastic libraries, it is desirable to say something about their economy.
They were built up partly by importing books, partly by bequests from wealthy ecclesiastics, but largely—and in some cases wholly—by the labours of scribes. The scene of the scribe’s craft was the scriptorium or writing-room, which was usually a screened-off portion of the cloister, or a room beside the church and below the library, as at St. ”

“ But at an early date the Christian Church adopted this form as the more convenient one and gave it its circulation."25 The fact that parchment and vellum increased in cost and became less and less available as writing material led to the custom, during periods of the Middle Ages, of transcribing one work over another, and after the earlier had been obliterated. This "composite" writing was a "palimpsest," called, technically, a codex rescriptus, and many times obscured or destroyed an ancient and valuable production. ”

“ I was something of an antiquary, and through many years had been collecting medieval manuscripts on vellum, ancient chapters, diplomas, notarial deeds, and such-like documents, none being of later date than the fifteenth century. To decipher the work of the old scribes is, I admit, a dry-as-dust occupation; nevertheless, it is a work that grows on one, and the palaeographist is an enthusiast always. In one’s hobbies one should always join advantage to amusement, and seek to gather profit with pleasure. ”

“ Poetry struggled for expression and the romantic adventures of the real men and women of the time stimulated imagination to the production of tales and romances. For historical information and for literary models the writers looked to the great authors of a previous age, and attention was given to the copying of such remains of ancient literature as had survived the fall of the old civilization. Practically every manuscript that we have of the ancient authors is the salvage from some old library of a mediæval monastery. ”

“ These tales, among the people who possessed them, would naturally form the domestic entertainment of the family in its home; and we can easily understand how, when what we call a literature came into existence, they would be brought together into collections, under different forms, and, after the introduction of a written literature, they were thus written in books. Latin was the common book-language of the Middle Ages, and we find these tales in a Latin dress, scattered through the manuscripts, sometimes singly and sometimes in groups, from the twelfth century to the fifteenth. ”

“ A complete collection of classical works, all the bees of antiquity, may be hived in a glass-case; but those we should find only the milk and honey of our youth; to obtain the substantial nourishment of European knowledge, a library of ten thousand volumes will not avail nor satisfy our inquiries, nor supply our researches even on a single topic!
Let not, however, the votaries of ancient literature dread its neglect, nor be over-jealous of their younger and Gothic sister. ”

“ Besides the clay tablets, the libraries contained papyri which have now perished.
Varieties of literature.—The texts related to all the branches of knowledge studied at the time. Astronomy and astrology, mathematics, geography, medicine, law, history, religion, and mythology, private and public correspondence, mercantile transactions, political documents, the pseudo-science of omens, lists of beasts, birds, vegetables, and stones, are all represented in it, and last, but not least, philology. ”

“ The modern cheap and fertile press, with all its translations, has done little to bring us nearer to the heroic writers of antiquity. They seem as solitary, and the letter in which they are printed as rare and curious, as ever. It is worth the expense of youthful days and costly hours, if you learn only some words of an ancient language, which are raised out of the trivialness of the street, to be perpetual suggestions and provocations. ”

“ But to produce the Chronicle complete, there was no midway between the plan here adopted, and the less satisfactory one hitherto followed, of taking the most esteemed manuscript for a text, and printing beneath all deviations from it, in the shape of various readings, unpleasant and inconvenient to consult, and, it is believed, by only a few readers, ever consulted; and frequently equalling in mass, and sometimes exceeding, the text itself. ”

“ On the revival of letters, the novelty and intrinsic excellence of the ancient classical literature to a great extent engrossed the attention of men of studious habits, till the inherent charm which there is in the history of a man's own country began to reassert its influence; and as minds thus better disciplined were brought to the subject, historical evidence was more correctly appreciated, and more diligently sought for. The charters of the intervening ages were examined, their credit tested, and their seals scrutinised and compared. ”

“ A vast mass of manuscripts has been preserved for us, embracing works in prose and verse of the most varied kind; and all the most important of these have been made accessible to modern readers in printed copies. They cast a flood of light upon the workings of the English mind in all ages, from the old pagan period in Sleswick to the date of the Norman Conquest, and the subsequent gradual supplanting of our native literature by a new culture based upon the Romance models. ”

“ The great bulk of Old English prose consists of translation; and in its various shapes English prose adopts the methods of its originals. We have many homilies, some history, and a few pastoral letters, all based strictly upon Latin works. There are very few passages of real originality, and they are short and disjointed. Of historical writing we have the rudiments in the Anglo-Saxon Chronicle. On the whole, the development is very small, for the prose is bound by the curse of imitativeness. ”

“ The scriptoria of the monasteries rendered the service formerly given by the copyists of the book-shops or of the country houses, while their armaria, or book-chests, had to fill the place of the destroyed or scattered libraries of the Roman cities or the Roman villas. The work of the scribes was now directed not by an Augustus, a Mæcenas, or an Atticus, but by a Cassiodorus, a Benedict, or a Gregory, and the incentive to literary labour was no longer the laurel crown of the circus, the favours of a patron, or the honoraria of the publishers, but the glory of God and the service of the Church. ”

“ Passing a splendid array of Scriptures whole and in parts, for there was no paucity of sacred volumes in that old monkish library, and fathers, doctors of the Church, schoolmen, lives of saints, chronicles, profane writers, philosophical and logical treatises, medical works, grammars, and books of devotion, we are particularly struck with the appearance of so many fine classical authors. ”

“ The fact of there existing a class of men, whose fixed employment or profession was solely confined to the transcription of ancient writings and to the repairing of tattered copies, in contradistinction to the common scribes, and depending entirely upon the exercise of their art as a [44] means of obtaining a subsistence, leads us to the conclusion that ancient manuscripts were by no means so very scarce in those days ”

“ Although the greater part of the book-writing of this time was done in the monasteries and by monks and ecclesiastics, there were also secular professional writers, a class who had followed this occupation from very early days. They consisted of antiquarii, librarii, and illuminators, though sometimes the functions of all three were performed by one person. They were employed chiefly by the religious houses, to assist in the transcription and restoration of their books, and by the lawyers, for whom they transcribed legal documents. ”

“ A. Incipit in 2o. folio. secunda die.
B. inci't. in 2o. fo. emperio sane formatis. ligatus.
C. inci't. in 2o. fo. et celumque celi.
The words printed in Italics are added by a more recent hand. Under the head of "Hystorie Scolastice" are doubtless intended the copies which the Library possessed of the celebrated Historia Scholastica, or abridgement of Scripture history by Peter Comestor.
From the foregoing specimen, I think your readers will agree with me that a Catalogue of such antiquity and interest is well worthy of publication. ”

“ On the discovery of the typographic art, in the fifteenth century, many of these prose Romances in manuscript received a new life by passing through the press; and these, in their venerable “lettres Gothiques,” are still hoarded for the solace of the curious in fictions of genuine antiquity, and of invention in its prime, both at home and abroad; and in a reduced form we find them surviving among the people on the Continent. ”

“ It will be noted that I take pains to speak of “authors” and “public,” rather than of “writers” and “readers,” because it is evident that there were literary productions in advance, and probably very far in advance, of the discovery or evolution of written characters, and also that long after the use of script by authors, the greater portion of the public in all ancient lands received their literature, not through their eyes, but through their ears,—not by reading the text, but by listening to reciters, story-tellers, and “rhapsodists.” ”

“ Non est hic quod agas, garrule, perge foras.
[154]
(The scribe allows no one to speak in his presence; there is nothing for you to do here, chatterbox; you had better go outside) —a motto which would serve very well for a reading-room of to-day.
In Rome the Church had, from an early date, preserved a collection of manuscripts which related more particularly to church matters, but which included also some specimens of the Roman Classics. In 855, Lupus, of Ferrières, writes to Pope Benedict III., begging for the loan of certain texts from which to make transcripts. ”

“ It appears also in manuscript in the Cottonian library, in the royal library, and in other libraries in Oxford and Cambridge.
The “Philobiblion,” is written in very indifferent Latin, and in a declamatory style. It is divided into twenty chapters. In chapter 1. the author praises wisdom, and books in which it is contained. 2. That books are to be preferred to riches and pleasure. 3. That they ought to be always bought. 4. How much good arises from books, and that they are misused only by ignorant people. 5. That good monks write books, but the bad ones are otherwise employed. ”

“ But if we think for a moment of how the manuscript books to which the early printers were accustomed had been produced we shall see that it was the most natural thing in the world. A scribe would take his quire of paper or vellum, and if he were a high-class scribe, mindful of the need of keeping his text clean, he would leave his first leaf blank and begin at the top of his second. ”

“ But there are two tests of a more objective character that may be used—orthography, and indication of lacunae or other faults in his exemplar. A scribe who preserves in his spelling the traces of a bygone age is probably trustworthy. If faithful in small things, he is likely to be faithful in great. A scribe again who scrupulously records the presence of a lacuna or illegibility in what he is copying, inspires us with confidence in the rest of his work. ”

“ No great writer in prose or poetry arose in these forty-two years; and when in the fifth and following centuries, the era of confusion and universal decay, manuscripts began to be only sparingly copied, the records of this period were neglected, and what attention to literature was given, the copyists of the MSS. devoted to the masterpieces of the Augustan and even of an earlier age, such as the famous prose works of Cicero and Tacitus, of Pliny and of Suetonius; of poets such as Lucretius, Vergil and Ovid, Propertius, Juvenal and Horace. ”

“ The treatises of the old Roman sophists and rhetoricians, the dialectics of Aristotle and the schoolmen, and the commentaries on ecclesiastical law of the fathers of the church, were the works which engrossed the attention of men of letters for many centuries before the invention of typography. ”