Albert Frederick Calvert

Albert Frederick Calvert

Summary

Portrait of Albert Frederick Calvert Albert Frederick Calvert Cordova: A city of the Moors

THE BRIDE OF ANDALUS An impression of colour, heat, and somnolence grows upon the stranger as he rambles through the bright alleys and sunlit plazas of Cordova. He may be neither painter, poet, nor antiquary; yet the opulence of vivid, almost garish tones, the romance that lingers about the Moorish courtyards and the perfumed gardens, and the surviving, pervasive suggestion of age, will stimulate his senses and imagination. For one who is capable of deeper and more subtle impressions, the old city will seem as a consummation of desire and a realisation of fanciful dreams.
Source: Gutenberg

Portrait of Albert Frederick Calvert Albert Frederick Calvert Cordova: A city of the Moors

But the Cordova of the great Khalif is still the most African city in Spain; its mosque remains to give us a clearer and fuller idea of the power and magnificence of the Moors than anything else in the Peninsula, not excepting even the Alhambra; and in its narrow, uneven streets and mysterious, silent patios, in the gold and crimson of its fragrant gardens, the student and the artist may find unending interest and enchantment.
Source: Gutenberg

Portrait of Albert Frederick Calvert Albert Frederick Calvert Cordova: A city of the Moors

For garish pleasure, sparkling society, and excitement one must go to Seville, Malaga, or Cadiz. There is a serene solemnity in Cordova, though it is by no means a gloomy city. The mosque is the attraction and the wonder of the city, and sacred temples do not dispose to hilarity. Cordova is eloquent of the gorgeous, heroic past, and its stones contain sermons upon human{10} destiny and the insecurity of empires. It is a garden city, antiquated, improgressive, tenacious of the ancient spirit, and abounding in beauty of form and colour.
Source: Gutenberg

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