Summary

Anonymous The Daily Newspaper: The History of Its Production and Distibution

If an artist, he will, as he pursues his work, alter and improve an imperfect drawing in its minor and imperfect details, as may be necessary; putting in a little light here, darkening a shade there, and almost invariably turning out a pleasing picture. If not an artist, he will "follow his copy, even if it goes out of the window," as a compositor would say, copying beauties and defects with the same unconcern, and producing a picture even from a good drawing with as little spirit or soul as the block on which he works—a "wood-cut," not an "engraving."
Source: Gutenberg

Anonymous The Daily Newspaper: The History of Its Production and Distibution

Suffice it to say, while on this matter, that the editor of a metropolitan daily newspaper is an impersonal individual, or individuals, who never can be seen. His functions, however, are divided, and every one who visits a newspaper may find the person he wants. The reception of visitors is one of the most engrossing duties of the editorial chair. Almost daily they come in throngs, for business or for pleasure—to receive advice, but more often to give it—to compliment, but more frequently to complain—sometimes, but proportionately seldom, to give valuable information.
Source: Gutenberg

Anonymous The Daily Newspaper: The History of Its Production and Distibution

The inventors were the printers, and their hearts were in their work. Printers then looked upon their productions as works of art. Their competition did not come in the shape of speed in production, nor lowness of price, but in that of excellence of material and beauty of execution; and when a man paid a fortune for a book, he expected that it would be an heirloom to be handed from generation to generation, to the end of time,—the same volume telling its story to grandfather, father, son, and grandson, gaining value with each generation and sanctity from the mere fact of age.
Source: Gutenberg

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