Summary

Anonymous,  The Hand Phrenologically Considered

“ The impress of pride is stamped in the bold erect bearing, and that of fear in the drooping head and timid step. So true is it that joy and sorrow, love and hate, pain and pleasure, virtue and vice, all betray themselves by their organic signs, that when any of these affections are habitual, or frequently recur, their external manifestations become permanently marked in the form; and it is in this sense that the habits and emotions of early youth stamp the lineaments with a character never to be effaced, or which, in many cases at least, are destined to endure through life. ”
Source: Gutenberg

Anonymous,  The Hand Phrenologically Considered

“ D’Arpentigny says of these hands: “Elles attachent, elles ajoutent, aux œuvres du penseur, comme l’artiste à l’œuvre de l’artisan la beauté, l’idéalité; elles les dorent d’un rayon de soleil, elles les élèvent sur un piédestal, elles leur ouvrent le porte des cœurs; l’âme, oubliée et laissée en arrière par les mains philosophiques, est leur guide,—la vérité dans l’amour, et la sublimité leur but, et l’expansion leur moyen.” ”
Source: Gutenberg

Anonymous,  The Hand Phrenologically Considered

“ In all the lower animals the palm is large, thick, and hard. Hence D’Arpentigny views the palm as indicative of the physical appetites or animal propensities, and of the degree and intensity of the mental affections to which they give rise. Thus, when the palm is narrow and thin, the temperament is feeble, the imagination without force, and the mind rather subtle than comprehensive; when its size and thickness are in harmony with the proportions of the thumb and fingers, sensual impressions easily excite the mind, but a salutary control is exercised by reason and imagination ”
Source: Gutenberg

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