Anthony M. Ludovici

Anthony M. Ludovici

Woman (1923)

Summary

Portrait of Anthony M. Ludovici Anthony M. Ludovici Woman (1923)

What could be more beautiful than to see her, figuratively speaking, extend her eager open hand to Life, with a confidence, a fullness of hope and trust, a profuseness of delicious expectations, and a bravery and singleness of purpose that is never again equalled in her life? And who can help hiding his eyes when he sees the same girl take back her hand again and again, either holding nothing at all, or filled with the merest husks, the merest scrapings of Life? Oh, the youths that go to dances!—these sacred functions where the positive girl takes her first step towards her sacred calling!
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Woman (1923)

To them the only purity worth having is that which is the outcome of fire. Everything else is impure. A tepid passion, a non-exuberant passion, is impure: it can wait, it can temporize, it can play with Life; it can even thwart the highest purposes of Life: therefore it is impure.
How often in our own small circle have we not seen a youth that we admired—a positive, robust and savoury fellow, full of trust and energy—condescend to take the most fragile, shadowy reminiscence of Life for a mate and the mother of his children!
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Woman (1923)

We abet and promote a process by which millions of our women deliberately turn their backs upon their primary adaptations, and spring to our side like neuters in the arena of our active life, our besotting duties, our drudgery! But not content with undermining their health and their happiness by denying the just privilege of their primary adaptations, we undermine their spirits by casting them like convicts into the wheels of the very machine that has already reduced us to such pale shadows of our former selves, such faint echoes of manhood, that they were rightly growing dissatisfied with us.
Source: Gutenberg

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