Anthony M. Ludovici

Biographical details

Portrait of Anthony M. Ludovici Anthony M. Ludovici Woman (1923)

What could be more beautiful than to see her, figuratively speaking, extend her eager open hand to Life, with a confidence, a fullness of hope and trust, a profuseness of delicious expectations, and a bravery and singleness of purpose that is never again equalled in her life? And who can help hiding his eyes when he sees the same girl take back her hand again and again, either holding nothing at all, or filled with the merest husks, the merest scrapings of Life? Oh, the youths that go to dances!—these sacred functions where the positive girl takes her first step towards her sacred calling!
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Nietzsche: His Life and Works

What, now, is the mental attitude of these "backworldsmen," as Nietzsche calls them, who can see only the world's filth? Who is likely to need the thought of a beyond, where he will live in bliss while those he hates will writhe in hell? Such ideas occur only to certain minds. Do they occur to the minds of those who, by the very health, strength, and happiness that is in them, transfigure all the world —even the ugliness in it—and declare it to be beautiful? Do they occur to the powerful who can chastise their enemies while their blood is still up?
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Nietzsche and Art

Mountains and lonely woods and angry seas, in all periods of Greek literature, so far from calling out a sublime sense of mystery and awe, raise images of terror and repulsion, of power divorced from beauty and alien to art. Homer, when for the moment he pauses to describe a place, chooses one in which the hand of man is visible; which he has reclaimed from the wild, made orderly, subdued to his own use. Up to the last days of Greek antiquity man has not yet learnt so to lose himself in the boundless life of Nature, as to find a contemplative pleasure in her wilder and more majestic scenes.
Source: Gutenberg

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