Summary

Portrait of Anthony M. Ludovici Anthony M. Ludovici Lysistrata; or, woman's future and future woman (1925)

People forget that each generation of them is born from mothers who, in an uninterrupted line reaching right back to our anthropoid ancestors, have filled their lives with something more than self-support and business usefulness. Each generation of these unmated women-workers is born from mothers who must have known the ardent embrace of a lover, the ecstasy of consummated love, and the clinging devotion of adoring offspring. No break can have occurred in this long dynasty of love, otherwise they—the women-workers themselves—would not be there.
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Lysistrata; or, woman's future and future woman (1925)

It was for all the world as if being self-supporting and useful in industry or the professions were the sole and unique object of human life, and nobody seemed to see that, in this case, there was no conceivable reason why human beings should have been created or become male and female. Of course the howl of indignation that arose at the word “surplus” was greatest among those women who are frankly hostile to men, and who are keenest about making the bodily destiny of their sex a matter of no consequence.
Source: Gutenberg

Portrait of Anthony M. Ludovici Anthony M. Ludovici Lysistrata; or, woman's future and future woman (1925)

It is impossible at present to rear a species of human beings to lovelessness as you can rear a breed of dogs to retrieving or sheep-minding. Love must always have existed one step back. And it is this fact, that these unmated women-workers are all so fatally close to love, all such near blood-relations of love, that makes lovelessness such an ordeal and a trial to them—an ordeal and a trial no human being who has not sinned against society should be made to suffer.
Source: Gutenberg

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