Arthur Conan Doyle

Arthur Conan Doyle

Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle A desert drama

Good-bye, little Sadie! I can't put my hand up. Will you put yours down?”
She did so and Stephens kissed it. Then he turned and took his place once more between Belmont and Fardet. In his whole life of struggle and success he had never felt such a glow of quiet contentment as suffused him at that instant when the grip of death was closing upon him. There is no arguing about love. It is the innermost fact of life, the one which obscures and changes all the others, the only one which is absolutely satisfying and complete.
Source: Gutenberg

Portrait of Arthur Conan Doyle Arthur Conan Doyle A desert drama

The beast's own terror, his ungainly bounds, the sprawl of his four legs all in the air together, his hideous cries, and the yells of his rider who is bucked high from his saddle with every spring, make a picture which is not to be forgotten. The women screamed as this mad torrent of frenzied creatures came pouring past them, but the Colonel edged his camel and theirs farther and farther in among the rocks and away from the retreating Arabs.
Source: Gutenberg

Portrait of Arthur Conan Doyle Arthur Conan Doyle A desert drama

Mr. Stuart, the fat Birmingham clergyman, was thrashing out a question of piastres with a noisy donkey-boy, and the others were joining in with chaff and advice. Then the hubbub died away, the party from above came down the ladder, there were “good-nights,” the shutting of doors, and the little steamer lay silent, dark, and motionless in the shadow of the high Haifa bank. And beyond this one point of civilisation and of comfort there lay the limitless, savage, unchangeable desert, straw-coloured and dream-like in the moonlight, mottled over with the black shadows of the hills.
Source: Gutenberg

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