Arthur Gilman

Summary

Arthur Gilman Ancient Egypt

Ramesses portrays this flight and carnage in the most graphic way. The slain enemy strew the ground, as he advances over them with his prancing steeds and in his rattling war-car, plying them moreover with his arrows as they vainly seek to escape. His chariot force and his infantry have their share in the pursuit, and with sword, or spear, or javelin, strike down alike the resisting and the unresisting. No one seeks to take a prisoner. It is a day of vengeance and of down-treading, of fury allowed to do its worst, of a people drunk with passion that has cast off all self-restraint.
Source: Gutenberg

Arthur Gilman Ancient Egypt

Men are drawn there, not by the mysteriousness of the Nile, or the mild beauties of orchards and palm-groves, of well-cultivated fields and gardens—no, nor by the loveliness of sunrises and sunsets, of moonlit skies and stars shining with many hues, but by the huge masses of the pyramids, by the colossal statues, the tall obelisks, the enormous temples, the deeply-excavated tombs, the mosques, the castles, and the palaces. The architecture of Egypt is its great glory.
Source: Gutenberg

Arthur Gilman Ancient Egypt

Egypt is at all seasons a strange country, but presents the most astonishing appearance at the period of the inundation. At that time not only is the lengthy valley from Assouan to Cairo laid under water, but the Delta itself becomes one vast lake, interspersed with islands, which stud its surface here and there at intervals, and which reminded Herodotus of "the islands of the Ægean." The elevations, which are the work of man, are crowned for the most part with the white walls of towns and villages sparkling in the sunlight, and sometimes glassed in the flood beneath them.
Source: Gutenberg

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