Summary

Portrait of Arthur Schopenhauer Arthur Schopenhauer The World as Will and Idea (Vol…

Only thus does music never cause us actual sorrow, but even in its most melancholy strains is still pleasing, and we gladly hear in its language the secret history of our will, and all its emotions and strivings, with their manifold protractions, hindrances, and griefs, even in the saddest melodies. When, on the other hand, in reality and its terrors, it is our will itself that is roused and tormented, we have not then to do with tones and their numerical relations, but are rather now ourselves the trembling string that is stretched and twanged.
Source: Gutenberg

Portrait of Arthur Schopenhauer Arthur Schopenhauer The World as Will and Idea (Vol…

Many thousands of dogs have had to die before it came to this one's turn to live. But the death of these thousands has not affected the Idea of the dog; it has not been in the least disturbed by all that dying. Therefore the dog exists as fresh and endowed with primitive force as if this were its first day and none could ever be its last; and out of its eyes there shines the indestructible principle in it, the archæus. What, then, has died during those thousands of years? Not the dog—it stands unscathed before us; merely its shadow, its image in our form of knowledge, which is bound to time.
Source: Gutenberg

Portrait of Arthur Schopenhauer Arthur Schopenhauer The World as Will and Idea (Vol…

A man of high, rare mental endowments compelled to apply himself to a merely useful business, for which the most ordinary man would be fitted, is like a costly vase decorated with the most beautiful painting which is used as a kitchen pot; and to compare useful people with men of genius is like comparing building-stone with diamonds.
Thus the merely practical man uses his intellect for that for which nature destined it, the comprehension of the relations of things, partly to each other, partly to the will of the knowing individual.
Source: Gutenberg

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