Summary

Arthur Thomas Malkin The Gallery of Portraits: with Memoirs…

My imagination cannot embellish the objects I see; it must create its own objects. If I am to paint the spring, I must do it in winter; if to describe a landscape, I must be shut up within walls: were I confined in the Bastille, I should then write best on the charms of liberty. I never could write as a matter of business, I can only do it through impulse or passion.” (Rousseau’s ‘Notes to the Nouvelle Heloïse,’ in Mercier and Le Tourneur’s edition.)
Source: Gutenberg

Arthur Thomas Malkin The Gallery of Portraits: with Memoirs…

In a letter to Lord Bolingbroke he says, “Certainly the writer deserved more candour, even in those who knew him not, than to promote a report, which, in regard to that noble person, was impertinent; in regard to me, villainous. I have taken an opportunity of the third edition, to declare his belief not only of my innocence, but of their malignity; of the former of which my heart is as conscious as I fear some of theirs must be of the latter. His humanity feels a concern for the injury done to me, while his greatness of mind can bear with indifference the insult offered to himself.”
Source: Gutenberg

Arthur Thomas Malkin The Gallery of Portraits: with Memoirs…

It is very remarkable that, in a remote province of a country so situated, a country gentleman, himself belonging to the feudal aristocracy, should have composed a work full of moral maxims and precepts, conceived in the spirit of the philosophers of Greece and Rome, and founded, not on the sanctions of revealed religion, but on a sort of natural system of ethics, on the beauty of virtue, on the innate sense of justice, on the lessons of history.
Source: Gutenberg

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