Bankim Chandra Chattopadhyay

Bankim Chandra Chattopadhyay

Summary

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Bengali Literature (1871)

Its character is for the most part imitative, but what literature, save that of Greece, has ever been independent and original in its youth? Once and again has a voice from that holy land of beauty and truth awakened the torpid heart and mind of Western Europe. Horace himself, the most spontaneous and genuine of all the Latin poets, entertained no higher idea of originality than to make it consist in the importation of a new form of poetry from Greece. An imitator in those days meant an imitator of Latin authors—the imitation of Greek being almost implied in the excellence of any work.
Source: Wikisource

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Bengali Literature (1871)

No lovely woman in the pages of these writers has any other form of loveliness than a moon face, lotus eyes, hair that is a cloud, and a nose that resembles Garuda's beak.
In point of style these writers hardly shine more than in ideas. Time-honoured phrases are alone employed; and a dull pompous array of high-sounding Sanskrit words continues to grate on the ear in perpetual recurrence. Anything which bears the mark of foreign origin, however expressive or necessary it may be, is jealously excluded.
Source: Wikisource

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Bengali Literature (1871)

But while books and newspapers are daily pouring from the press, the quality of our current literature is by no means proportioned to its bulk. In fact, by far the greatest part (of) what is published is absolute rubbish. There are several modern Bengali books of which we shall have to speak in terms of high praise, but the number of these is so small in comparison with the mass of publications yearly vomited forth by the Bengali press, that they go but a little way towards redeeming the character of the whole.
Source: Wikisource

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