Baron Edward Bulwer Lytton Lytton

Summary

Baron Edward Bulwer Lytton Lytton Athens: Its Rise and Fall, Book III

The rest of the Greek dramatists required Aeschylus—Aeschylus required only Homer.
The POET is, indeed, the creator, not of images solely, but of men— not of one race of ideas and characters, but of a vast and interminable posterity scattered over the earth. The origin of what wonderful works, in what distant regions, in what various time, may be traced, step by step, from influence to influence, till we arrive at Homer! Such is the vitality of genius.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton Athens: Its Rise and Fall, Book III

We now emerge from the poetry that belongs to early Greece, through the mists of which the forms of men assume proportions as gigantic as indistinct. The enchanting Herodotus abandons us, and we do not yet permanently acquire, in the stead of his romantic and wild fidelity, the elaborate and sombre statesmanship of the calm Thucydides. Henceforth we see more of the beautiful and the wise, less of the wonderful and vast. What the heroic age is to tradition, the Persian invasion is to history.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton Athens: Its Rise and Fall, Book III

How was it possible that, alone and unaided, they could withstand the Persian multitude? Could they reasonably expect the fortunes of Marathon to be perpetually renewed? To remain at Athens was destruction—to leave it seemed to them a species of impiety. Nor could they anticipate victory with a sanguine hope, in abandoning the monuments of their ancestors and the temples of their gods. [77]
Themistocles alone was enabled to determine the conduct of his countrymen in this dilemma. Inexhaustible were the resources of a genius which ranged from the most lofty daring to the most intricate craft.
Source: Gutenberg

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