George Carless Swayne, Herodotus (1870)
“ His ethical portraits are above all invaluable, and, however fabulous the circumstances with which they are connected, must have been true to the life, from their evidently undesigned consistency. The benignant and vain Crœsus, the ambitious Cyrus, the truculent Cambyses, the chivalrous yet calculating Darius, the wild Cleomenes, the wise and wary Themistocles, the frantic Xerxes—the very type of the infatuation by which the divine vengeance wrought—these, and a host of other portraits of living men, can only be compared in their verisimilitude with the immortal creations of Shakespeare. ”
