George Carless Swayne

Herodotus (1870)

Summary

George Carless Swayne,  Herodotus (1870)

“ His ethical portraits are above all invaluable, and, however fabulous the circumstances with which they are connected, must have been true to the life, from their evidently undesigned consistency. The benignant and vain Crœsus, the ambitious Cyrus, the truculent Cambyses, the chivalrous yet calculating Darius, the wild Cleomenes, the wise and wary Themistocles, the frantic Xerxes—the very type of the infatuation by which the divine vengeance wrought—these, and a host of other portraits of living men, can only be compared in their verisimilitude with the immortal creations of Shakespeare. ”
Source: Wikisource

George Carless Swayne,  Herodotus (1870)

“ But, unfortunately for Miltiades, this was not the first time that he had had to appear on a charge of like nature. It seemed as if he wished to make himself despot of Paros—perhaps even despot of Athens—as he had made himself despot of the Chersonese. It was not for this that they had got rid of Hippias. If he commanded well at Marathon, so did the other generals, two of them now no more; nay, every man who fought in those ranks seemed as good a hero as he, for Marathon, like Inkermann, was a "soldier's battle." ”
Source: Wikisource

George Carless Swayne,  Herodotus (1870)

“ When Alcmæon came home to Athens he found himself rich enough to enter as a competitor at the great Olympic games, and win the blue ribbon of that national festival—the four-horse chariot-race, which made the winner a hero in the eyes of his countrymen for ever.
Two generations afterwards this family made a splendid marriage. Cleisthenes of Sicyon had added this to his renown, that he too had been a victor at Olympia.
”
Source: Wikisource

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