Baron Edward Bulwer Lytton Lytton

Summary

Baron Edward Bulwer Lytton Lytton The Parisians — Volume 06

Hennequin, brave enough at the bar, was no hero before sword-point or pistol. He was utterly ignorant of the use of either weapon; his death in the encounter with an antagonist so formidable seemed to him certain, and life was so precious,—an honourable and distinguished career opening before him, marriage with the woman he loved. Still he had the Frenchman's point of honour. He had been told that he must fight; well, then, he must. He asked De Mauleon to be one of his seconds, and in asking him, sank in his chair, covered his face with his hands, and burst into tears.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton The Parisians — Volume 06

But a girl, a girl in her first untold timid love, to let the world know, "that is the man I love and would die for!"—if such a girl be, she has no touch of the true woman-genius, and certainly she and Isaura have nothing in common. Well, then, in Isaura's invented hero, though she saw the archetypal form of Graham Vane,—saw him as in her young, vague, romantic dreams idealized, beautified, transfigured,—he would have been the vainest of men if he had seen therein the reflection of himself.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton The Parisians — Volume 06

It is not till a later stage of experience and art that the writer escapes from the influence of his individual personality, and lives in existences that take no colourings from his own. Genius usually must pass through the subjective process before it gains the objective. Even a Shakspeare represents himself in the Sonnets before no trace of himself is visible in a Falstaff or a Lear.
No news of the Englishman,—not a word. Isaura could not but feel that in his words, his looks, that day in her own garden, and those yet happier days at Enghien, there had been more than friendship
Source: Gutenberg

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