Baron Edward Bulwer Lytton Lytton

Summary

Baron Edward Bulwer Lytton Lytton The Parisians — Complete

Such a time had come to Isaura. Formerly she had escaped from the griefs of the work-a-day world into the garden-land of Art. Now, Art had grown unwelcome to her, almost hateful. Gone was the spell from the garden-land; its flowers were faded, its paths were stony, its sunshine had vanished in mist and rain. There are two voices of Nature in the soul of the genuine artist,—that is, of him who, because he can create, comprehends the necessity of the great Creator. Those voices are never both silent. When one is hushed, the other becomes distinctly audible.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton The Parisians — Complete

Madame de Grantmesnil had known Mr. Selby; and when, at his death, Isaura, in the innocent age between childhood and youth, had been left the most sorrowful and most lonely creature on the face of the earth, this famous woman, worshipped by the rich for her intellect, adored by the poor for her beneficence, came to the orphan’s friendless side, breathing love once more into her pining heart, and waking for the first time the desires of genius, the aspirations of art, in the dim self-consciousness of a soul between sleep and waking.
Source: Gutenberg

Baron Edward Bulwer Lytton Lytton The Parisians — Complete

No, Eulalie, I see nothing in these schemes for altering our relations towards the other sex which would improve our condition. The inequalities we suffer are not imposed by law,—not even by convention: they are imposed by nature.
Eulalie, you have had an experience unknown to me: you have loved. In that day did you,—you, round whom poets and sages and statesmen gather, listening to your words as to an oracle,—did you feel that your pride of genius had gone out from you, that your ambition lived in whom you loved, that his smile was more to you than the applause of a world?
Source: Gutenberg

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