Benito Jerónimo Feijoo

Benito Jerónimo Feijoo

Summary

Portrait of Benito Jerónimo Feijoo Benito Jerónimo Feijoo Essays, or discourses, vol. 2… (1780)

Should not all the music in a church be grave? Ought not the whole composition to be calculated to impress gravity, devotion, and decency? The instrumental music is the same; but what effect can these Canary-birds airs, so predominant in the taste of the moderns, produce in the soul? This music, so replete with jigs, that you can scarce find a piece without one, can raise no other emotions in the imagination, than those of frolic and levity. He who hears on the organ, the same minuet which he heard at the ball, what effect will it have on him?
Source: Gutenberg

Portrait of Benito Jerónimo Feijoo Benito Jerónimo Feijoo Essays, or discourses, vol. 2… (1780)

Conceited, and full of themselves and their science, and big also with the dignity of their office and degrees, they look upon those who have not gone through the schools, as people of an inferior species, whom they scarce ever deign to speak to, but with a frowning brow, and a contemptuous look. They always talk in a dictatorial tone of voice, and express themselves with the majestic authority of an oracle, and in their conversation with other men, seem to exercise the power of a chapel master, who regulates the tone the whole band are to sing and play in.
Source: Gutenberg

Portrait of Benito Jerónimo Feijoo Benito Jerónimo Feijoo Essays, or discourses, vol. 2… (1780)

LI. What can be more obnoxious to urbanity than lying? What man of understanding is there whom it does not offend? Or to whom is it not disgusting? and how can deceit cease to be injurious? All the utility, all the delight that can be obtained by conversation, is destroyed by a lie. If he, with whom I converse, tells me lies, of what service will the information I receive from him be to me?
Source: Gutenberg

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