Summary

William Hazlitt The collected works of William Hazlitt… (1902)

Young, on the contrary, is the very thing—all assumption and strut and measured pomp, full of self-importance, void of truth and nature, the mask of the characters he takes, a pasteboard figure, a stiff piece of wax-work. He fills the throne of tragedy, not like an upstart or usurper, but as a matter of course, decked out in his plumes of feathers, and robes of state, stuck into a posture, and repeating certain words by rote. Mr. Kean has a heart in his bosom, beating with human passion (a thing for the great ‘to fear, not to delight in!’) he is a living man, and not an artificial one.
Source: Gutenberg

William Hazlitt The collected works of William Hazlitt… (1902)

Ideas exist as a sort of fixtures in the understanding; they are like moveables (that will also unscrew and take to pieces) in the wit or fancy. If our grave notions were always well founded; if there were no aggregates of power, of prejudice, and absurdity; if the value and importance of an object went on increasing with the opinion entertained of it, and with the surrender of our faith, freedom, and every thing else to aggrandise it, then ‘the squandering glances’ of the wit, ‘whereby the wise man’s folly is anatomised,’ would be as impertinent as they would be useless.
Source: Gutenberg

William Hazlitt The collected works of William Hazlitt… (1902)

While the spirit of youth remains unimpaired, ere the ‘wine of life is drank up,’ we are like people intoxicated or in a fever, who are hurried away by the violence of their own sensations: it is only as present objects begin to pall upon the sense, as we have been disappointed in our favourite pursuits, cut off from our closest ties, that passion loosens its hold upon the breast, that we by degrees become weaned from the world, and allow ourselves to contemplate, ‘as in a glass, darkly,’ the possibility of parting with it for good.
Source: Gutenberg

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