Summary

Blake, Coleridge, Wordsworth, Lamb…

The German painter Götzenberger, (a man indeed who ought not to be named after the others as an authority for my writing abt Blake) said on his returning to Germany about the time at which I am now arrived, "I saw in England many men of talents, but only 3 men of Genius, Coleridge, Flaxman & Blake, & of these Blake was the greatest."
Source: Wikisource

Blake, Coleridge, Wordsworth, Lamb…

He was making designs or engraving, I forget which—Cary's Dante was before [him] . He shewed me some of his designs from Dante of which I do not presume to speak. They were too much above me. But Götzenberger, whom I afterwds. took to see them expressed the highest admiration of them. They are in the hands of Linnell, the painter, & it has been suggested, are reserved by him for publication when Blake may have become an object of interest to a greater number than he can be at this age [7] . . .
Source: Wikisource

Blake, Coleridge, Wordsworth, Lamb…

Lamb was delighted with the Catalogue, especially with the description of a painting afterwards engraved, & connected with wh. is an anecdote that unexplained wd. reflect discredit on a most amiable & excellent man, but wh. Flaxman considered to have been the wilful act of Stod [d] art. It was after the friends of Blake had circulated a subscription paper for an engraving of his Canterbury Pilgrims that Stod [d] art was made a party to an engraving of a painting of the same subject by himself Stoddart's work is well-known: Blake's is known by very few.
Source: Wikisource

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