Summary

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

The horrific struggle round Cape Horn, homewards, is the crisis of the Dana history. It is an entry into chaos, a heaven of sleet and black ice-rain, a sea of ice and iron-like water. Man fights the element in all its roused, mystic hostility to conscious life. This fight is the inward crisis and triumph of Dana's soul. He goes through it all consciously, enduring, knowing. It is not a mere overcoming of obstacles. It is a pitting of the deliberate consciousness against all the roused, hostile, anti-life water of the Pole.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

The oversoul is a world-soul, not a local thing.
So, in the next great move of imaginative conquest, Americans turned to the sea. Not to the land. Earth is too specific, too particular. Besides, the blood of white men is wine of no American soil. No, no.
But the blood of all men is ocean-born. We have our material universality, our blood-oneness, in the sea. The salt water.
You can't idealize the soil. But you've got to try. And trying, you reap a great imaginative reward. And the greatest reward is failure. To know you have failed, that you must fail.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

The sail being nearly all forward, it lifted her out of the water, and she seemed actually to jump from sea to sea.'
Beautifully the sailing-ship nodalizes the forces of sea and wind, converting them to her purpose. There is no violation, as in a steam-ship, only a winged centrality. It is this perfect adjusting of ourselves to the elements, the perfect equipoise between them and us, which gives us a great part of our life joy. The more we intervene machinery between us and the naked forces the more we numb and atrophy our own senses.
Source: Wikisource

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