D. H. Lawrence

D. H. Lawrence

Summary

Portrait of D. H. Lawrence D. H. Lawrence The Plumed Serpent (1926)

I know where my soul is. It is in Ramón’s womb, the womb of a man, just as his seed is in my womb, the womb of a woman. He is a man, and a column of blood. I am a woman, and a valley of blood. I shall not contradict him. How can I? My soul is inside him, and I am far from contradicting him when he is trying with all his might to do something that he knows about. He won’t die, and they won’t kill him. No! The stream flows into him from the heart of the world: and from me.—I tell you, because you saved his life, and therefore we belong to the same thing, you and I and he—and Cipriano.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence The Plumed Serpent (1926)

Kate, in these days in Mexico, felt that between the volcanic violence under the earth, and the electric violence of the air above, men walked dark and incalculable, like demons from another planet.
The wind on the lake seemed fresh, from the west, but it was a running mass of electricity, that burned her face and her eyes and the roots of her hair. When she had wakened in the night and pushed the sheets, heavy sparks fell from her finger-tips. She felt she could not live.
The lake was like some frail milk of thunder; the dark soldiers curled under the awning of the boat, motionless.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence The Plumed Serpent (1926)

Or like the sea of the glimmering, ethereal plasm of the world, that bathes the feet and the knees of men as earth-sap bathes the roots of trees. Ye must be born again. Even the gods must be born again. We must be born again.
In her vague, woman’s way, Kate knew this. She had lived her life. She had had her lovers, her two husbands. She had her children.
Joachim Leslie, her dead husband, she had loved as much as a woman can love a man: that is, to the bounds of human love. Then she had realised that human love has its limits, that there is a beyond.
Source: Gutenberg

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