“ Margaret silenced her. She said: “It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don’t fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all—nothing real, not one scrap of what there ought to be. And others—others go farther still, and move outside humanity altogether. ”
E. M. Forster
Summary
E. M. Forster’s Howards End (1910), a seminal family drama, explores the tensions between class, culture, and social transformation in Edwardian England. Centered on three families—the capitalist Wilcoxes, the intellectual Schlegels, and the impoverished Basts—the novel examines relationships strained by bias and economic inequality.
The eponymous country house symbolizes a fading world of refinement, its inheritance becoming a contested space for shaping social futures. Through themes of unity and reconciliation, Forster crafts a nuanced portrayal of a society in transition, culminating in an uneasy resolution where an illegitimate child, born of cross-class ties, inherits the legacy of a fractured era.
Quotes from Howards End (E. M. Forster)
“ Margaret was silent. If her aunt could not see why she must go down, she was not going to tell her. She was not going to say “I love my dear sister; I must be near her at this crisis of her life.” The affections are more reticent than the passions, and their expression more subtle. If she herself should ever fall in love with a man, she, like Helen, would proclaim it from the house-tops, but as she only loved a sister she used the voiceless language of sympathy. “I consider you odd girls,” continued Mrs. Munt, “and very wonderful girls, and in many ways far older than your years. ”
“ Margaret did not reply. “Yes,” repeated Helen, her voice growing more tender, “I do at last understand.” “Except Mrs. Wilcox, dearest, no one understands our little movements.” “Because in death—I agree.” “Not quite. I feel that you and I and Henry are only fragments of that woman’s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. ”
