Earl Derr Biggers

Earl Derr Biggers

Possessions (1923)

Summary

Portrait of Earl Derr Biggers Earl Derr Biggers Possessions (1923)

Dell had warned him, given him his chance to escape; he had refused to go. Poor Dell! If only she had married somebody in Mayfield—somebody who would be content to dedicate his winters to a furnace. He mustn't be unkind to Dell. He was fond of her. He must try to be like other people for Dell's sake. Dell was right too. Her plan was sensible. Boston wouldn't be so bad. Painting an old woman's portrait. Not Capri, not Sorrento. But he was married now.
He went back to the cottage. Dell was sitting as he had left her, on the sofa before the fire.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Possessions (1923)

Dell told him. “You said that girls weren't for you; that you had to keep away from them. Otherwise you might marry one, and you intimated that would be terrible.”
“I was crazy,” he cut in. “Foolish! Why shouldn't an artist get married the same as anybody else?”
“Well, why shouldn't he, Bob? You tell me. You seemed to have a lot of reasons—when you first came here. Money, I believe, was one of them.”
“Silly reason, Dell. Why I'll work as I never have before! Marrying you—it will give me new inspiration, a new thrill, new excitement.”
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Possessions (1923)

Dell had gone down to the village for groceries, and he was left alone amidst their goods and chattels. He paused in his work of unpacking and stared about him. He hated everything he saw. Things, things! Never had he felt so hopeless in his life, and yet he must clear away a little space and go to work; go to work—full of inspiration and good cheer.
Source: Wikisource

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