Summary

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

In an instant, a treasure of incalculable value lay gleaming before us. As the rays of the lanterns fell within the pit, there flashed upward a glow and a glare, from a confused heap of gold and of jewels, that absolutely dazzled our eyes.
I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant, Legrand appeared exhausted with excitement, and spoke very few words. Jupiter’s countenance wore, for some minutes, as deadly a pallor as it is possible, in the nature of things, for any negro’s visage to assume.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

I made no doubt that the latter had been infected with some of the innumerable Southern superstitions about money buried, and that his phantasy had received confirmation by the finding of the scarabæus, or, perhaps, by Jupiter’s obstinacy in maintaining it to be “a bug of real gold.” A mind disposed to lunacy would readily be led away by such suggestions—espe-cially if chiming in with favourite preconceived ideas—and then I called to mind the poor fellow’s speech about the beetle’s being “the index of his fortune.”
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

There was a boat lying upon a sea-coast, and not far from the boat was a parchment—not a paper—with a skull depicted upon it. You will, of course, ask, ‘Where is the connexion?’ I reply that the skull, or death’s-head, is the well-known emblem of the pirate. The flag of the death’s-head is hoisted in all engagements.
“I have said that the scrap was parchment, and not paper. Parchment is durable—almost imperishable. Matters of little moment are rarely consigned to parchment; since, for the mere ordinary purposes of drawing or writing, it is not nearly so well adapted as paper.
Source: Wikisource

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