Summary

Portrait of Felicia Hemans Felicia Hemans Felicia Hemans in The New Monthly Magazine Volume 40 1834 (1834)

She, a bright queen with glory mantled! Thou,
A slave, degraded and compelled to bear!
Chains gird thy hands and feet; deep clouds of care
Darken thy brow, once radiant as thy skies;
And shadows, born of terror and despair—
Shadows of death have dimmed thy glorious eyes.
Italia!—oh! Italia now no more!
For thee my tears of shame and anguish flow,
And the glad strains my lyre was wont to pour
Are changed to dirge-notes; but my deepest woe
Is, that base herds of thine own sons the while
Behold thy miseries with insulting smile.
Source: Wikisource

Portrait of Felicia Hemans Felicia Hemans Felicia Hemans in The New Monthly Magazine Volume 40 1834 (1834)

Mountains, and rivers, and mighty woods, the cathedrals of nature—these will have their part in his pictures; but their colouring and shadows will not be wholly the gift of rising or departing suns, nor of the night with all her stars; it will be a varying suffusion from the life within, from the glowing clouds of thought and feeling, which mantle with their changeful drapery all external creation.
—————"We receive but what we give,
And in our life alone does nature live."
Source: Wikisource

Portrait of Felicia Hemans Felicia Hemans Felicia Hemans in The New Monthly Magazine Volume 40 1834 (1834)

We thus admit it essential to his high office, that the chambers of imagery in the heart of the poet must be filled with materials moulded from the sorrows, the affections, the fiery trials, and immortal longings of the human soul. Where love, and faith, and anguish, meet and contend; where the tones of prayer are wrung from the suffering spirit,—there lie his veins of treasure; there are the sweet waters ready to flow from the stricken rock.
Source: Wikisource

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