Summary

Franz Xaver Kraus The Cambridge Modern History, Volume 2… (1904)

Erasmus has reflected in his letters the great impression made by Rome, the true seat and home of all Latin culture. Well might Cardinal Raffaelle Riario write to him: "Everyone who has a name in science throngs hither. Each has a fatherland of his own, but Rome is a common fatherland, a foster-mother, and a comforter to all men of learning." It is long since these words were written—far too long for the honour of Catholicism and of the Papacy. But at that time, under Julius II, they were really true.
Source: Wikisource

Franz Xaver Kraus The Cambridge Modern History, Volume 2… (1904)

The zenith of Renaissance culture falls in the age of Julius II. Ariosto's light verses, Bibbiena's prurient La Calandria, the paintings in the bath-room of the Vatican, the rejection of the Dante monument planned by Michelangelo, the misapplication of funds collected for the Crusade to purposes of mere dynastic interest, Leo's political double-dealing, which disordered all the affairs of Italy, and indeed of Christendom; all this must shake our faith in him as protector of the good and beautiful in art.
Source: Wikisource

Franz Xaver Kraus The Cambridge Modern History, Volume 2… (1904)

The favourable opinion entertained of Leo X by his contemporaries long held the field in history. His reign has been regarded as at once the zenith and cause of the greatest period of the Renaissance. His wide liberality, his unfeigned enthusiasm for the creations of genius, his unprejudiced taste for all that beautifies humanity, and his sympathy for all the culture of his time have been the theme of a traditional chorus of laudation. More recent criticism has recognised in the reign of Leo a period of incipient decline, and has traced that decline to the follies and frailties of the Pontiff.
Source: Wikisource

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