Friedrich Nietzsche

“ The saying of Yea to life, including even its most strange and most terrible problems, the will to life rejoicing over its own inexhaustibleness in the sacrifice of its highest types—this is what I called Dionysian, this is what I divined as the bridge leading to the psychology of the tragic poet Not in order to escape from terror and pity, not to purify one's self of a dangerous passion by discharging it with vehemence—this is how Aristotle understood it—but to be far beyond terror and pity and to be the eternal lust of Becoming itself—that lust which also involves the lust of destruction. ”

“ MORALITY AS THE ENEMY OF NATURE 1
There is a time when all passions are simply fatal in their action, when they wreck their victims with the weight of their folly,—and there is a later period, a very much later period, when they marry with the spirit, when they "spiritualise" themselves. Formerly, owing to the stupidity inherent in passion, men waged war against passion itself: men pledged themselves to annihilate it,—all ancient moral-mongers were unanimous on this point, "il faut tuer les passions." ”

“ The whole of the Occident no longer possesses those instincts from which institutions spring, out of which a future grows: maybe nothing is more opposed to its "modern spirit" than these things. People live for the present, the live at top speed,—they certainly live without any sense of responsibility; and this is precisely what they call "freedom." Everything in institutions which makes them institutions, is scorned, loathed and repudiated: everybody is in mortal fear of a new slavery, wherever the word "authority" is so much as whispered. ”

“ Out of the very love one bears to life, one should wish death to be different from this—that is to say, free, deliberate, and neither a matter of chance nor of surprise. Finally let me whisper a word of advice to our friends the pessimists and all other decadents. We have not the power to prevent ourselves from being born: but this error—for sometimes it is an error—can be rectified if we choose. The man who does away with himself, performs the most estimable of deeds: he almost deserves to live for having done so. ”

“ Christianity is a system, a complete outlook upon the world, conceived as a whole. If its leading concept, the belief in God, is wrenched from it, the whole is destroyed; nothing vital remains in our grasp. Christianity presupposes that man does not and cannot know what is good or bad for him: the Christian believes in God who, alone, can know these things. Christian morality is a command, its origin is transcendental. ”

“ What is the good of all free-spiritedness, modernity, mockery and acrobatic suppleness, if in one's belly one is still a Christian, a Catholic, and even a priest! Renan's forte, precisely like that of a Jesuit and Father Confessor, lies in his seductiveness. His intellectuality is not devoid of that unctuous complacency of a parson,—like all priests, he becomes dangerous only when he loves. He is second to none in the art of skilfully worshipping a dangerous thing. ”

“ This compulsion to transfigure into the beautiful is—Art Everything—even that which he is not,—is nevertheless to such a man a means of rejoicing over himself; in Art man rejoices over himself as perfection.—It is possible to imagine a contrary state, a specifically anti-artistic state of the instincts,—a state in which a man impoverishes, attenuates, and draws the blood from everything. And, truth to tell, history is full of such anti-artists, of such creatures of low vitality who have no choice but to appropriate everything they see and to suck its blood and make it thinner. ”

“ Surplus power, alone, is the proof of power.—A transvaluation of all values,—this note of interrogation which is so black, so huge, that it casts a shadow even upon him who affixes it,—is a task of such fatal import, that he who undertakes it is compelled every now and then to rush out into the sunlight in order to shake himself free from an earnestness that becomes crushing, far too crushing. ”

“ He flows out, he flows over, he consumes himself, he does not spare himself,—and does all this with fateful necessity, irrevocably, involuntarily, just as a river involuntarily bursts its dams. But, owing to the fact that humanity has been much indebted to such explosives, it has endowed them with many things, for instance, with a kind of higher morality.... This is indeed the sort of gratitude that humanity is capable of: it misunderstands its benefactors. ”

“ Hitherto the history of his desires has been the partie honteuse of mankind: one should take care not to read too deeply in this history. That which justifies man is his reality,—it will justify him to all eternity. How much more valuable is a real man than any other man who is merely the phantom of desires, of dreams of stinks and of lies?—than any kind of ideal man? ”

“ It is upon such reasoning that revolutions are based.—To bewail one's lot is always despicable: it is always the outcome of weakness. Whether one ascribes one's afflictions to others or to one's self, it is all the same. The socialist does the former, the Christian, for instance, does the latter. That which is common to both attitudes, or rather that which is equally ignoble in them both, is the fact that somebody must be to blame if one suffers—in short that the sufferer drugs himself with the honey of revenge to allay his anguish. ”

“ The thoughts and actions of all such natures are tainted with a subterranean mouldiness; everything in them is of a paler hue than in those on whose existence the sun shines. But almost all those creatures whom, nowadays, we honour and respect, formerly lived in this semi-sepulchral atmosphere: the man of science, the artist, the genius, the free spirit, the actor, the business man, and the great explorer. As long as the priest represented the highest type of man, every valuable kind of man was depreciated.... ”

“ The human unit, the "individual," as the people and the philosopher have always understood him, is certainly an error: he is nothing in himself, no atom, no "link in the chain," no mere heritage from the past,—he represents the whole direct line of mankind up to his own life.... If he represent declining development, decay, chronic degeneration, sickness (—illnesses are on the whole already the outcome of decline, and not the cause thereof) , he is of little worth, and the purest equity would have him take away as little as possible from those who are lucky strokes of nature. ”

“ We should never forgive Christianity for having so abused the weakness of the dying man as to do violence to his conscience, or for having used his manner of dying as a means of valuing both man and his past—In spite of all cowardly prejudices, it is our duty, in this respect, above all to reinstate the proper—that is to say, the physiological, aspect of so-called natural death, which after all is perfectly "unnatural" and nothing else than suicide. One never perishes through anybody's fault but one's own. ”

“ The whole of the morality of amelioration—that of Christianity as well—was a misunderstanding. The most blinding light [Pg 16] of day: reason at any price; life made clear, cold, cautious, conscious, without instincts, opposed to the instincts, was in itself only a disease, another kind of disease—and by no means a return to "virtue," to "health," and to happiness. To be obliged to fight the instincts—this is the formula of degeneration: as long as life is in the ascending line, happiness is the same as instinct. ”

“ Christianity as sprung from Jewish roots and comprehensible only as grown upon this soil, represents the counter-movement against that morality of breeding, of race and of privilege:—it is essentially an anti-Aryan religion: Christianity is the transvaluation of all Aryan values, the triumph of Chandala values, the proclaimed gospel of the poor and of the low, the general insurrection of all the down-trodden, the wretched, the bungled and the botched, against the "race,"—the immortal revenge of the Chandala as the religion of love. ”

“ Here the outlook is free.—When a philosopher holds his tongue it may be the sign of the loftiness of his soul: when he contradicts himself it may be love; and the very courtesy of a knight of knowledge may force him to lie. ”

“ One breathes more freely, after stepping out of the Christian atmosphere of hospitals and prisons, into this more salubrious, loftier and more spacious world. What a wretched thing the New Testament is beside Manu, what an evil odour hangs around it!—But even this organisation found it necessary to be terrible,—not this time in a struggle with the animal-man, but with his opposite, the non-caste man, the hotch-potch man, the Chandala. ”

“ L'art pour l'art means, "let morality go to the devil!" —But even this hostility betrays the preponderating power of the moral prejudice. If art is deprived of the purpose of preaching morality and of improving mankind, it does not by any means follow that art is absolutely pointless, purposeless, senseless, in short l'art pour l'art—a snake which bites its own tail. "No purpose at all is better than a moral purpose!"—thus does pure passion speak. A psychologist, on the other hand, puts the question: what does all art do? ”

“ The great man is an end; the great age—the Renaissance for instance,—is an end. The genius—in work and in deed,—is necessarily a squanderer: the fact that he spends himself constitutes his greatness. The instinct of self-preservation is as it were suspended in him; the overpowering pressure of out-flowing energy in him forbids any such protection and prudence. People call this "self-sacrifice," they praise his "heroism," his indifference to his own well-being, his utter devotion to an idea, a great cause, a father-land: All misunderstandings.... ”

“ But Rousseau—whither did he want to return? Rousseau this first modern man, idealist and canaille in one person; who was in need of moral "dignity," in order even to endure the sight of his own person,—ill with unbridled vanity and wanton self-contempt; this abortion, who planted his tent on the threshold of modernity, also wanted a "return to nature"; but, I ask once more, whither did he wish to return? I hate Rousseau, even in the Revolution itself: the latter was the historical expression of this hybrid of idealist and canaille. ”

“ Reality shows us a marvellous wealth of types, and a luxuriant variety of forms and changes: and yet the first wretch of a moral loafer that comes along cries "No! Man should be different!" He even knows what man should be like, does this sanctimonious prig: he draws his own face on the wall and declares: "ecce homo!" But even when the moralist addresses himself only to the individual and says "thus and thus shouldst thou be!" ”

“ Does Socrates, as a creature suffering under oppression, enjoy his innate ferocity in the knife-thrusts of the syllogism? Does he wreak his revenge on the noblemen he fascinates?—As a dialectician a man has a merciless instrument to wield; he can play the tyrant with it: he compromises when he conquers with it The dialectician leaves it to his opponent to prove that he is no idiot: he infuriates, he likewise paralyses. The dialectician cripples the intellect of his opponent. Can it be that dialectics was only a form of revenge in Socrates? ”

“ I have spoken of German intellect. I have said that it is becoming coarser and shallower. Is that enough?—In reality something very different frightens me, and that is the ever steady decline of German earnestness, German profundity, and German passion in things intellectual. Not only intellectuality, but also pathos has altered. From time to time I come in touch with German universities; what an extraordinary atmosphere prevails among their scholars! ”

“ The architect manifests neither a Dionysian nor an Apollonian state: In his case it is the great act of will, the will that moveth mountains, the ecstasy of the great will which aspires to art The most powerful men have always inspired architects; the architect has always been under the suggestion of power. In the architectural structure, man's pride, man's triumph over gravitation, man's will to power, assume a visible form. Architecture is a sort of oratory of power by means of forms. ”

“ Everywhere, too, a hastiness which is unbecoming rules supreme; just as if something would be forfeited if the young man were not "finished" at the age of twenty-three, or did not know how to reply to the most essential question, "which calling to choose?"—The superior kind of man, if you please, does not like "callings," precisely because he knows himself to be called. He has time, he takes time, he cannot possibly think of becoming "finished,"—in the matter of higher culture, a man of thirty years is a beginner, a child. ”

“ We do not deny readily, we glory in saying yea to things. Our eyes have opened ever wider and wider to that economy which still employs and knows how to use to its own advantage all that which the sacred craziness of priests and the morbid reason in priests, rejects; to that economy in the law of life which draws its own advantage even out of the repulsive race of bigots, the priests and the virtuous,—what advantage?—But we ourselves, we immoralists, are the reply to this question. ”

“ A born psychologist instinctively avoids seeing for the sake of seeing. And the same holds good of the born painter. Such a man never works "from nature,"—he leaves it to his instinct, to his camera obscura to sift and to define the "fact," "nature," the "experience." ”

“ But every age thinks the same, it is bound to think the same. This at least, is certain, that we should not dare to stand amid the conditions which prevailed at the Renaissance, we should not even dare to imagine ourselves in those conditions: our nerves could not endure that reality, not to speak of our muscles. The inability to do this however does not denote any progress; but simply the different and more senile quality of our particular nature, its greater weakness, delicateness, and susceptibility, out of which a morality more rich in consideration was bound to arise. ”

“ Its lowest instinct, the instinct of self-preservation and self-expansion, still radiates in such sublimities. Man imagines the world itself to be overflowing with beauty,—he forgets that he is the cause of it all. He alone has endowed it with beauty. ”