G. Lowes Dickinson

“ Plato, idealist though he be, is yet rooted in the facts of his age; his perfect republic he bases on the institutions of Sparta and Crete; his perfect man he shapes on the lines of the Greek citizen. That dislocation of the spirit which opposed the body to the soul, heaven to earth, the church to the state, the man of the world to the priest, was altogether alien to the consciousness of the Greeks. To them the world of fact was also the world of the ideal; the conceptions which inspired their highest aims were already embodied in their institutions and reflected in their life ”

“ Let our artists rather be those who are gifted to discern the true nature of the beautiful and graceful: then will our youth dwell in a land of health, amid fair sights and sounds, and receive the good in everything; and beauty, the effluence of fair works, shall flow into the eye and ear, like a healthgiving breeze from a purer region, and insensibly draw the soul from earliest years into likeness and sympathy with the beauty of reason.'
"'There can be no nobler training than that,' he replied. ”

“ Thus ends the first phase of the festival. So far all has been mirth and revelry; but now comes a sudden change of tone. Dionysus, god of wine though he be, has also his tragic aspect; of him too there is recorded a "descent into hell"; and to the glad celebration of the renewal of life in spring succeeds a feast in honour of the dead. The ghosts, it is supposed, come forth to the upper air; every door-post is smeared with pitch to keep off the wandering shades; and every family sacrifices to its own departed. ”

“ To him, love is the beginning of all wisdom; and among all the forms of love, that one in chief, which is conceived by one man for another, of which the main operation and end is in the spirit, and which leads on and out from the passion for a particular body and soul to an enthusiasm for that highest beauty, wisdom, and excellence, of which the most perfect mortal forms are but a faint and inadequate reflection. Such a love is the initiation into the higher life, the spring at once of virtue, of philosophy, and of religion. ”

“ We have dwelt thus long on the personality of Socrates, familiar though it be, not only on account of its intrinsic interest, but also because it is peculiarly Hellenic. That sunny and frank intelligence, bathed, as it were, in the open air, a gracious blossom springing from the root of physical health, that unique and perfect balance of body and soul, passion and intellect, represent, against the brilliant setting of Athenian life, the highest achievement of the civilisation of Greece. ”

“ Beauty, then, is the destiny or goddess of parturition who presides at birth, and therefore, when approaching beauty, the conceiving power is propitious, and diffusive, and benign, and begets and bears fruit: at the sight of ugliness she frowns and contracts and has a sense of pain, and turns away, and shrivels up, and not without a pang refrains from conception. And this is the reason why, when the hour of conception arrives, and the teeming nature is full, there is such a flutter and ecstasy about beauty whose approach is the alleviation of the pain of travail. ”

“ The Greek, an artist by nature, lifted his not less strenuous sports into an air of finer sentiment, touched them with the poetry of legend and the grace of art and song, and even to his most brutal contests—for brutal some of them were—imparted so rich an atmosphere of beauty, that they could be admitted as fit themes for dedication to the Graces by the choice and spiritual genius of Pindar. ”

“ And since in Greece religion implied art, in the wake of the athlete followed the sculptor and the poet. The colossal Zeus of Pheidias, the wonder of the ancient world, flashed from the precincts of Olympia its glory of ivory and gold; temples and statues broke the brilliant light into colour and form; and under that vibrating heaven of beauty, the loveliest nature crowned with the finest art, shifted and shone what was in itself a perfect type of both, the grace of harmonious motion in naked youths and men. ”

“ Girt by mountain and sea, by haunted fountain and sacred grove, shaped and adorned by the master hands of Pheidias and Polygnotus and filled with the breath of passion and song by Euripides and Plato, Athens, famed alike for the legended deeds of heroes and gods and for the feats of her human sons in council, art, and war, is a name, to those who have felt her spell, more familiar and more dear than any of the few that mark with gold the sombre scroll of history. ”

“ Like his father too, whom he also partly resembles, he is always plotting against the fair and good; he is bold, enterprising, strong, a mighty hunter, always weaving some intrigue or other, keen in the pursuit of wisdom, fertile in resources; a philosopher at all times, terrible as an enchanter, sorcerer, sophist. He is by nature neither mortal nor immortal, but alive and flourishing at one moment when he is in plenty, and dead at another moment, and again alive by reason of his father's nature. ”

“ Born into the great age of Greece, coming to maturity at the crisis of her fate, he had witnessed with his own eyes, and assisted with his own hands the defeat of the Persian host at Marathon. The event struck home to him like a judgment from heaven. The Nemesis that attends upon human pride, the vengeance that follows crime, henceforth were the thoughts that haunted and possessed his brain; and under their influence he evolved for himself out of the popular idea of Zeus the conception of a God of justice who marks and avenges crime. ”

“ In the institutions of Sparta we see, carried to its furthest point, one side of the complex Greek nature—their capacity for discipline and law. Athens, the home of a different stock, gives us the other extreme—their capacity for rich and spontaneous individual development. To pass from Sparta to Athens, is to pass from a barracks to a playing-field. All the beauty, all the grace, all the joy of Greece ”

“ Starting with what is always, prima facie, the prose of everyday life, its acrid controversies, its vulgar and tedious types, and even its particular individuals—for Aristophanes does not hesitate to introduce his contemporaries in person on the stage—he fits to this gross and heavy stuff the wings of imagination, scatters from it the clinging mists of banality and spite and speeds it forth through the lucid heaven of art amid peals of musical laughter and snatches of lyric song. ”

“ But what if man had eyes to see the true beauty—the divine beauty, I mean, pure and clear and unalloyed, not clogged with the pollutions of mortality and all the colours and vanities of human life—thither looking, and holding converse with the true beauty simple and divine? Remember how in that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality) , and bringing forth and nourishing true virtue to become the friend of God and be immortal, if mortal man may. ”

“ The actors raised on high boots above their natural height, their faces hidden in masks and their tones mechanically magnified, must have relied for their effects not upon facial play, or rapid and subtle variations of voice and gesture, but upon a certain statuesque beauty of pose, and a chanting intonation of that majestic iambic verse whose measure would have been obscured by a rapid and conversational delivery. The representation would thus become moving sculpture to the eye, and to the ear, as it were, a sleep of music between the intenser interludes of the chorus ”

“ The quarrel of the philosopher with the myths is not that they are not true, but that they are not edifying. They represent the son in rebellion against the father—Zeus against Kronos, Kronos against Uranos; they describe the gods as intriguing and fighting one against the other; they depict them as changing their form divine into the semblance of mortal men; lastly—culmination of horror!—they represent them as laughing, positively laughing!—Or again, to turn to a more metaphysical point, if God be good, it is argued by Plato, he cannot be the author of evil. ”

“ For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want.' 'But who then, Diotima,' I said, 'are the lovers of wisdom, if they are neither the wise nor the foolish?' 'A child may answer that question,' she replied; 'they are those who are in a mean between the two; Love is one of them. For wisdom is a most beautiful thing, and Love is of the beautiful; and therefore Love is also a philosopher or lover of wisdom, and being a lover of wisdom is in a mean between the wise and the ignorant. ”

“ But while the law secures equal justice to all alike in their private disputes, the claim of excellence is also recognised; and when a citizen is in any way distinguished, he is preferred to the public service, not as a matter of privilege, but as the reward of merit. Neither is poverty a bar, but a man may benefit his country whatever be the obscurity of his condition. There is no exclusiveness in our public life, and in our private intercourse we are not suspicious of one another, nor angry with our neighbour if he does what he likes ”

“ Moral virtue they conceived not as obedience to an external law, a sacrifice of the natural man to a power that in a sense is alien to himself, but rather as the tempering into due proportion of the elements of which human nature is composed. The good man was the man who was beautiful—beautiful in soul. "Virtue," says Plato, "will be a kind of health and beauty and good habit of the soul; and vice will be a disease and deformity and sickness of it." ”

“ The exquisite beauty of this passage, even in translation, will escape no lover of poetry. And it is a beauty which depends on the character of the Greek religion; on the fact that all that is unintelligible in the world, all that is alien to man, has been drawn, as it were, from its dark retreat, clothed in radiant form, and presented to the mind as a glorified image of itself. ”

“ Whether it will ever be possible, under totally different conditions, to realise once more that balance of body and soul, that sanity of ethical intuition, that frank recognition of the whole range of our complex human nature with a view to its harmonious organisation under the control of a lucid reason—whether it will ever be possible again to realise this ideal, and that not only in the members of a privileged class, but in the whole body of the State, is a question too problematical to be raised with advantage in this place. ”

“ The sociable out-door city life; the meeting places in the open air, and especially the gymnasia, frequented by young and old not more for exercise of the body than for recreation of the mind; the nimble and versatile Athenian wits trained to preternatural acuteness by the debates of the law courts and the Assembly; all this was exactly the environment fitted to develop and sustain a genius at once so subtle and so humane as that of Socrates. It is the concrete presentation of this city-life that lends so peculiar a charm to the dialogues of Plato. ”

“ For by your gift come unto men all pleasant things and sweet, and the wisdom of a man and his beauty, and the splendour of his fame. Yea, even gods without the Graces' aid rule never at feast or dance; but these have charge of all things done in heaven, and beside Pythian Apollo of the golden bow they have set their thrones, and worship the eternal majesty of the Olympian Father. ”

“ Their art is of a late period, yet are they simple, natural, and of universal interest. Here there is no knight in harness on his knees awaiting a joyful resurrection. The artist has with more or less skill presented to us only the persons themselves, and so made their existence lasting and perpetual. They fold not their hands, gaze not into heaven; they are on earth, what they were and what they are. They stand side by side, take interest in one another ”

“ Even Plato, in whom there runs so clear a vein of asceticism, follows the popular judgment in reckoning high among goods, first, health, then beauty, then skill and strength in physical exercises, and lastly wealth, if it be not blind but illumined by the eye of reason. To these Goods must be added, to complete the scale, success and reputation, topics which are the constant theme of the poets' eulogy. "Two things alone there are," says Pindar, "that cherish life's bloom to its utmost sweetness amidst the fair flowers of wealth—to have good success and to win therefore fair fame;" ”

“ The fear of age and death is the shadow of the love of life; and on no people has it fallen with more horror than on the Greeks. The tenderest of their songs of love close with a sob; and it is an autumn wind that rustles in their bowers of spring. ”

“ And other writers, pushing the contention further, deny altogether the theory of natural slavery. "No man," says the poet Philemon, "was ever born a slave by nature. Fortune only has put men in that position." And Euripides, the most modern of the Greeks, writes in the same strain: "One thing only disgraces a slave, and that is the name. In all other respects a slave, if he be good, is no worse than a freeman." [Footnote: Euripides, Ion. 854]
It seems then that the distinction between the Greek and the modern point of view is not so profound or so final as it appears at first sight. ”

“ For the artist and for the man who understands art, all scales and standards disappear except that of the purely aesthetic beauty which consists in harmony of line and tone; the most perfect human form has no more value than a splash of mud; or rather both mud and human form disappear as irrelevant, and all that is left for judgment is the arrangement of colour and form originally suggested by those accidental and indifferent phenomena. ”