“ Again and again, as we study Greek thought and literature, behind the veil woven by time and distance, the face that meets us is our own, younger, with fewer lines and wrinkles on its features and with more definite and deliberate purpose in its eyes. For these reasons we are to-day in a position, as no other age has been, to understand Ancient Greece, to learn the lessons it teaches, and, in studying the ideals and fortunes of men with whom we have so much in common, to gain a fuller power of understanding and estimating our own. ”

“ Keats has expressed the Greek sense of art in an immortal line, ‘A thing of beauty is a joy for ever’. It was the overflowing gladness which lies at the root of creation and evolution which took eternal form in the painting and sculpture of the Greeks and inspired all their works. The same irrepressible joy which gives colour to the flowers, sweetness to the fruit, song to the birds, and sexual desire to mankind reached here one of its most perfect manifestations. The life of the Greeks was by no means one of unmixed happiness. Each city was not unfrequently at war with its neighbours ”

“ Now Thucydides and Plato give us no help for the League of Nations. Such a phrase as ‘the interests of humanity as a whole’ would have been politically meaningless to them. They did not think of humanity as a whole; they thought of it as divided sharply into two sections, Greeks and Barbarians, and of the Greek world as a small oasis of intelligence and culture ringed round by a wide and indefinite expanse of barbarism. ”

“ The spirit of anarchy in art proclaims that all the works of nature are equally beautiful or equally ugly, that nothing which exists is unfit to be represented in our galleries and public places, that so long as a picture or a statue arouses a sentiment it does not matter whether the sentiment be one of delight and aspiration or one of horror. If once the idea of beauty as the end to be aimed at be expelled from art, art sinks like a stone to the bottom of the sea. ”

“ Greek simplicity recalls us to the central interests of the human heart. Greek truthfulness is a challenge to see the world as it is and shun the emptiness of mere music, the falsities of rhetoric or sentiment, the incompleteness of writers who, instead of seeing life as a whole, ignore or emphasize a part of it as their own sympathies dictate. Greek beauty is a memorial of an aspect of the universe to which ages of thought are often blind. Greek technique is a lesson in ‘form’ and a reminder of its place in literature. ”

“ The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.’ Slightly fanciful and Pateresque as these words are, they are substantially true, as any one who sets Monna Lisa by a piece of fifth-century sculpture can easily see. There is the same contrast between Greek literature and our own. ”

“ Such allusions, refined at first by art and hallowed at last by familiar memory, lie treasured in men’s hearts and enshrine themselves in our noblest literature. Take, of a thousand crowding instances, that great passage in the Iliad where the Greek host, disembarking on the plains of the Scamander, is likened to a migrating flock of cranes or geese or long-necked swans, as they fly proudly over the Asian meadows and alight screaming by Cayster’s stream—and Virgil echoes more than once the familiar lines. ”

“ The age of Utopia-dreams is over. We know now that modern science has made the world one place and that social salvation is not to be found, as the early socialists imagined, by fleeing from the haunts of men and founding some model city in a wilderness. We must make our contribution here and now, in the drab world in which fate has set us. If we cannot hope to turn it into Utopia, let us at least make it as much like Utopia as we can. This, after all, is Plato’s message, even in the most idealistic and visionary of his books. ”

“ When we think of the debt which mankind owes to the Greeks, we are apt to think too exclusively of the masterpieces in literature and art which they have left us. But the Greek genius was many-sided; the Greek, with his insatiable love of knowledge, his determination to see things as they are and to see them whole, his burning desire to be able to give a rational explanation of everything in heaven and earth, was just as irresistibly driven to natural science, mathematics, and exact reasoning in general, or logic. ”

“ The eighth light of Greek art is Fellowship. Perhaps there is no quality in it which is more instructive for our days than this. The extreme individualism which is the most remarkable characteristic of modern times lays the utmost stress on the right or the duty of an artist to express himself in his work, to work out his own vein of originality, to give to the world a rendering of his own qualities and individuality. And no doubt no great artist can help doing this in a measure. When he works he must be himself; he can only see the world through the medium of his character and talents. ”

“ The city-states, in their rivalry for dominion or their resentment against the domineering of one state over another, forgot their loyalty to the common weal of Greece and fought each other for empire or liberty. And the wealthy and well-born citizens forgot their loyalty to the city in their blind, rancorous feud against the proletariat that was stripping them of property and power, and betrayed their community to foreign enemies.
‘Strange how mortals blame the gods. They say that evil is our handiwork, when in truth they bring their sufferings on themselves. ”

“ Rhythm, balance, symmetry are the translation into sculpture of the spirit of discipline and self-control, which the Greeks learned by hard necessity. The civilization of the Ionians in Asia is a brilliant sunrise, an overflowing of the delight in life, in beauty, in the exercise of all the faculties, which for a time dominated Greece itself. And their art was joyous and free. The artists of Ionia invaded Athens in the sixth century, visiting the luxurious court of Peisistratus, and inspiring Peloponnesus, even Sparta, as the excavations of the British School in Athens have abundantly shown. ”

“ Goethe says stiffly but precisely: ‘in the presence of antiquity the mind feels itself placed in the most ideal state of nature; and even to this day the Homeric hymns have the power of freeing us, at any rate, for moments, from the terrible burden which the tradition of many hundreds of years has rolled upon us.’ In these words Goethe has touched on the simplicity and the naturalness of Greek beauty, in contrast to the more exotic and elaborate beauty of which mediaeval and modern art and literature are full. ”

“ His words are sometimes interpreted as a cry for some philosopher-genius to take the task of government out of our too feeble grasp. But that is not his message for us. The age in which philosopher-emperors were possible has passed beyond recall. To us Plato’s words are an appeal to become, each and all of us, in our own sphere, lovers of wisdom according to the measure of our ability. If we would amend the world around us—and it is in sore need of amendment—our first duty is to eschew falsehood and to follow truth in our own lives, in our thoughts and actions. ”

“ No people known to history clearly formulated these ideals before the Greeks, and those who have spoken the words afterwards seem for the most part to be merely echoing the thoughts of old Greek men.
These ideas, the pursuit of Truth, Freedom, Beauty, Excellence are not everything. They have been a leaven of unrest in the world; they have held up a light which was not always comforting to the eyes to see. There is another ideal which is generally stronger and may, for all we know, in the end stamp them out as evil things. ”

“ The spirit of man does not live only on tradition; it can draw direct from the fountain-head. We are dealing with a permanent type of human culture, which is rightly named after the Greeks, since it attained its chief glory in the literature and art of the Hellenic cities, but which cannot be separated from western civilization as an alien importation. Without what we call our debt to Greece we should have neither our religion nor our philosophy nor our science nor our literature nor our education nor our politics. We should be mere barbarians. ”

“ But on the whole, putting aside for the moment the possible inadequacies of translation, Greek philosophy speaks straight to any human being who is willing to think simply, Greek art and poetry to any one who can use his imagination and enjoy beauty. He has not to put on the fetters or the blinkers of any new system in order to understand them; he has only to get rid of his own—a much more profitable and less troublesome task. ”

“ Deep down in the love of Nature, whether it be of the sensual or intellectual kind, and in the art of observation which is its outcome and first expression, lie the roots of all our Natural Science. All the world over these are the heritage of all men, though the inheritance be richer or poorer here and there: they are shown forth in the lore and wisdom of hunter and fisherman, of shepherd and husbandman, of artist and poet. ”

“ The maturest Greek philosophy regards eternity as the divine mode of existence, while mortals are born, live, and die in time. Man is a microcosm, in touch with every rung of the ladder of existence; and he is potentially a ‘participator’ in the divine mode of existence, which he can make his own by living, so far as may be, in detachment from the vain shadows and perishable goods of earth. That this conception of immortality has had a great influence upon Christian thought and practice needs no demonstration. It is and always has been the religion of the mystic. ”

“ What are the chief and most enduring thoughts which contact with the Greek political thinkers leaves with us? They are surely twofold, the first concerning the material of politics, the second concerning the men and women of to-day who are called to be citizens. Public affairs, we feel, so far from being a tiresome preoccupation or ‘a dirty business’ are one of the great permanent interests of the race: if they were not too trivial or too debasing for great artists like Thucydides and Plato, we need not fear lest they be too trivial or debasing for ourselves. ”

“ In every province, morals, intellect, imagination, Greece was striking out, to the right and the left. And in the century after the Persian wars, she reaped the full harvest of her splendid sowing, and produced the masterpieces which have remained ever since memorable, to the study of which each generation recurs, and whence it learns of what human nature is capable. ”

“ Thus in the types of the gods which were produced when Greek art was at its best we have a series of supermen and superwomen who represent the highest and best to which mortals can hope to attain, types embodying the highest perfection of body and mind. The influence of those types has gone on from century to century, never in the darkest ages wholly forgotten, and serving at all times to redeem human nature from foulness and degradation. All through the history of art they have been acting as a raising and purifying element. ”

“ Nor is it akin to that type of modern realism, which, like a noxious drug, lays hold on the spirits and depresses the heart—the realism which paints so black a picture of human life, that it affects us physically like days of continued fog, and gives us no more complete and truthful a picture of the world. There is hardly any Greek writer, perhaps none at all, of whom this can be said. Many moderns can faithfully describe what is disagreeable, but their effects are often brutal and always depressing. ”

“ Justice and liberty, law and democracy, parliament and public opinion—all these and many more we owe to the peasants and craftsmen of the small Greek republics who, having felt the need for a better management of their humble concerns, set to work to provide it, with the same inventiveness, the same adaptation of means to end, which led them, in other fields, to the invention of the classic temple or of the drama. If it is going too far to say that every modern politician owes his stock-in-trade of general ideas to the Greeks, there are certainly few who do not owe them their perorations. ”

“ Strange as it may appear in an age of sectarianism and rebel theorizing, the war revealed the truth that the mass of mankind, now as in ancient Greece, respond at need to the call of citizenship: that when the cry goes up summoning each and all to the tents, it is not this or that little tabernacle but the protecting shelter of the larger and more truly representative state organizations to which men flock; that the sects and conventicles which have fed the enthusiasm and provided the activity of leisure hours cannot maintain their appeal when the whole fabric of our society is in danger. ”

“ The war is obviously one of the great crises of our civilization. It is like a conflagration lighting up the dim past and throwing it into perspective. The war makes it impossible for us to take our own history for granted. ”

“ Thus even on the most cautious reckoning, there is an interval of thirteen centuries between the close of Greek history and our own times, and the great age of Greek history—the time when Ancient Greek society was in its prime, when it was shaping its own destiny and deflecting the destiny of its neighbours—is separated from our generation by more than two thousand years. What legacy has come down, through these great periods of time, from Ancient Greek society to the contemporary world? ”

“ As we shall see, another element comes into play, which made of that art almost a new creation, differing in outlook and ideal from any art that preceded it, stamped by the genius of a vigorous northern race with a character all its own. The art of the East and the art of the West never really fused. There is a difference in kind between the joyous vitality of pure Greek art, and the gloomy vision of Asia, with its craving for the vast and terrible, its sombre imagination, its lack of humanity and indifference to the individual. ”

“ In the first place, it does not mean that Greek art is what we call ‘naturalist’ or ‘realist’. It is markedly the reverse. Art to the Greek is always a form of Sophia, or Wisdom, a Technê with rules that have to be learnt. Its air of utter simplicity is deceptive. The pillar that looks merely straight is really a thing of subtle curves. The funeral bas-relief that seems to represent in the simplest possible manner a woman saying good-bye to her child is arranged, plane behind plane, with the most delicate skill and sometimes with deliberate falsification of perspective. ”