Gilbert Keith Chesterton,
Charles Dickens — III: The Youth of Dickens
(1906)
“ For him ever afterwards these streets were mortally romantic; they were dipped in the purple dyes of youth and its tragedy, and rich with irrevocable sunsets. Herein is the whole secret of that eerie realism with which Dickens could always vitalise some dark or dull corner of London. There are details in the Dickens descriptions -- a window, or a railing, or the keyhole of a door -- which he endows with demoniac life. The things seem more actual than things really are. Indeed, that degree of realism does not exist in reality; it is the unbearable realism of a dream. ”
