Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The New Jerusalem — Chapter I: The Way of the Cities (1920)

The Labour problem of to-day stood up quite simply, like a peak at which a man looks back and sees single and solid, though when he was walking over it it was a wilderness of rocks. The Labour problem is the attempt to have the democracy of Paris without the slavery of Rome. Between the Roman Republic and the French Republic something had happened. Whatever else it was, it was the abandonment of the ancient and fundamental human habit of slavery; the numbering of men for necessary labour as the normal foundation of society, even a society in which citizens were free and equal.
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Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The New Jerusalem — Chapter I: The Way of the Cities (1920)

Nothing graver than these grotesque images and groping speculations would come into my conscious mind just then, though at the back of it there was an indescribable sense of regret and parting. All through my wanderings the dog remained in my memory as a Dickensian and domestic emblem of England; and if it is difficult to take a donkey seriously, it ought to be easiest, at least, for a man who is going to Jerusalem.
There was a cloud of Christmas weather on the great grey beech-woods and the silver cross of the cross-roads.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The New Jerusalem — Chapter I: The Way of the Cities (1920)

The ninth century, the time of the Norse invasions, was not saintly in the sense of being filled with saints; it was filled with pirates and petty tyrants, and the first feudal anarchy. But sanctity was the only ideal those barbarians had, when they had any at all. And democracy is the only ideal the industrial millions have, when they have any at all. Sanctity was the light of the Dark Ages, or if you will the dream of the Dark Ages. And democracy is the dream of the dark age of industrialism
Source: Wikisource

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