Henry W. Henshaw

“ If it can safely be assumed that an animal effigy without tusks, without ears, and without a tail was really intended to represent a mastodon, it would be stretching imagination but a step farther to call all the large-bodied, heavy-limbed animal effigies hitherto named bears, mastodons, attributing the lack of trunks, as well as ears, tusks, and tails, to inattention to slight details on the part of the mound artist. ”

“ To carry the imitative idea farther and to suggest, as has been done by writers, that the carver of the Mound-Building epoch sat down to his work with the animal or a model of it before him, as does the accurate zoological artist of our own day, is wholly insupported by evidence derivable from the carvings themselves, and is of too imaginative a character to be entertained. ”

“ For the same reason that the sculptured animals of the same species display great differences of form and expression, according to the varying skill of the sculptors or the unexacting demands made by a rude condition of art, so the diversified character of the human faces is to be ascribed, not to the successful perpetuation in stone by a master hand of individual features, but simply to a want of skill on the part of the sculptor. ”

“ In considering the degree of skill exhibited by the mound sculptors in their delineation of the features and characteristics of animals, it is of the utmost importance to note that the carvings of birds and animals which have evoked the most extravagant expressions of praise as to the exactness with which nature has been copied are uniformly those which, owing to the possession of some unusual or salient characteristic, are exceedingly easy of imitation. ”

“ Deferring, however, for the present, any comparison between the artistic ability of the Mound-Builder and the modern Indian, attention may be turned to a class of objects from the mounds, notable, indeed, for the skill with which they are wrought, but to be considered first in another way and for another purpose than mere artistic comparison. ”

“ To trace the origin of art among primitive peoples, and to note the successive steps by which decorative art grew from its probable origin in the readily recognized adornments of nature and in the mere "accidents of manufacture," as they have been termed, would be not only interesting, but highly instructive. Such a study should afford us a clew to the origin and significance of conventional as contrasted with imitative art. ”

“ If, for instance, skill and ingenuity in the art of carving and etching be accepted as affording a proper idea of a people's progress in general culture, the Esquimaux of Alaska should be placed in the front rank of American tribes, a position needless to say which cannot be accorded them from more general considerations. On the other hand, while the evidences of artistic skill left by the Iroquoian tribes are in no way comparable to the work produced by the Esquimaux, yet the former have usually been assigned a very advanced position as compared with other American tribes. ”

“ In their curious masks, carved into forms the most quaint and grotesque, and in many of their carvings of animals, partaking as they do of a half human, half animal character, we have abundant evidence of what authors have characterized as savage taste in sculpture. ”

“ Among them, indeed, are found not a few who assert for the people conveniently designated as above a degree of artistic skill very far superior to that attained by the present race of Indians as they have been known to history. In fact, this very skill in artistic design, asserted for the Mound-Builders, as indicated by the sculptures they have left, forms an important link in the chain of argument upon which is based the theory of their difference from and superiority to the North American Indian. ”

“ Keen observer of natural objects, as savage and barbaric man certainly is, it is going too far to suppose him capable of representing an earless animal—earless at least so far as the purposes of sculpture are concerned—with prominent ears. If, then, it can be assumed that these sculptures are to be relied upon as in the slightest degree imitative, it must be admitted that the presence of ears would alone suffice to show that they cannot have been intended to represent the manatee. ”

“ The stout body and broad flat tail of the beaver, the characteristic physiognomy of the wild cat and panther, so utterly dissimilar to that of other animals, the tufted head and fish-eating habits of the heron, the raptorial bill and claws of the hawk, the rattle of the rattlesnake, are all features which the rudest skill could scarcely fail to portray.
It is by the delineation of these marked and unmistakable features, and not the sculptor's power to express the subtleties of animal characteristics, that enables the identity of a comparatively small number of the carvings to be established. ”

“ It is more natural to suppose, so far, at least as the North American Indians are concerned, that the road to conventionalism has always led through imitation.
The argument, therefore, that because a tribe or people is less given than another to conventional methods of art, it therefore must necessarily be in a higher stage of culture, is entitled to much less weight than it has sometimes received. ”

“ Not only are the heads of many of the carvings of disproportionate size, which, in instances has the effect of actual distortion, but in not a few of the sculptures nature, instead of being copied, has been trifled with and birds and animals show peculiarities unknown to science and which go far to prove that the Mound-Builders, however else endowed, possessed lively imaginations and no little creative fancy. ”

“ Human bones, too, in abundance, have been exhumed in a sufficiently well preserved state to afford a basis for various theories and speculations.
But of the mastodon, with which these dead Mound-Builders are supposed to have been acquainted, not a palpable trace remains. The tale of its existence is told by a single mound in Wisconsin, which the most ardent supporter of the mastodon theory must acknowledge to be far from a facsimile, and two carvings and an inscribed tablet, the three latter the finds of a single explorer. ”

“ The fact that the mound is a nondescript, with no others resembling it, certainly lessens the probability that it was an intentional representation of the mastodon, and increases the likelihood that its slight resemblance was accidental; a slide of earth from the head, for instance, might readily be interpreted by the modern [Pg 155] artist as a trunk, and thus the head be made to assume a shape in his sketch not intended by the original maker. As is well known, no task is more difficult for the artist than to transfer to paper an exact copy of such a subject. ”

“ It is true that the contrary has often been asserted, and that almost everything has been claimed for the carvings, in the way of artistic execution, that would be claimed for the best products of modern skill. Squier and Davis in fact go so far in their admiration (Ancient Monuments, p. 272) , as to say that, so far as fidelity is concerned, many of them (i.e., animal carvings) deserve to rank by the side of the best efforts of the artist naturalists in our own day—a statement which is simply preposterous. ”

“ Mastodon bones have been exhumed from peat beds in this country at a depth which, so far as is proved by the rate of deposition, implies that the animal may have been alive within five hundred years. The extinction of the mastodon, geologically speaking, was certainly a very recent event, and, as an antiquity of upwards of a thousand or more years has been assigned to some of the mounds, it is entirely within the possibilities that this animal was living at the time these were thrown up, granting even that the time of their erection has been overestimated. ”

“ Squier and Davis, for instance, referring to the Mound-Builders, state that "many of these (i.e., sculptures) exhibit a close observance of nature such as we could only expect to find among a people considerably advanced in the minor arts, and to which the elaborate and laborious, but usually clumsy and ungraceful, not to say unmeaning, productions of the savage can claim but a slight approach." ”

“ As a theory to account for the number and character of these animal carvings the totemic theory is perhaps as tenable as any. The origin and significance of the carvings may, however, involve many different and distinct ideas. It is certain that it is a common practice of Indians to endeavor to perpetuate the image of any strange bird or beast, especially when seen away from home, and in order that it may be shown to his friends. ”

“ With, perhaps, no exceptions, the North American tribes practiced totemism in one or other of its various forms, and, although it by no means follows that all the carving and etchings of birds or animals by these tribes are totems, yet it is undoubtedly true that the totemic idea is traceable in no small majority of their artistic representations, whatever their form. ”

“ The experience of numerous investigators attests how difficult it is, for instance, to obtain from a savage the name of a class of animals in distinction from a particular species of that class. Thus it is easy to obtain the names of the several kinds of bears known to a savage, but his mind obstinately refuses to entertain the idea of a bear genus or class. ”

“ Among some of the latter the artistic instinct, while deriving its characteristic features, as among the Mound-Builders, from animated nature, exhibits a decided tendency towards the production of conventional forms, and often finds expression in creations of the most grotesque and imaginative character. ”

“ As to the paroquet, there seems to be no evidence in the way of carvings to show that it was known to the Mound-Builders, although that such was the case is rendered highly probable from the fact that it lived at their very doors.
It therefore appears that of the five animals of which Wilson states "the majority are not known in the United States," and "some of them are totally unknown, within any part of the North American continent," every one is found in North America, and all but one within the limits of the United States, while three were common residents of the Mississippi Valley. ”

“ But [Pg 166] the same tribes execute carvings of animals, as seals, sea-lions, whales, bears, &c., which, though generally wanting in the careful modeling necessary to constitute fine sculpture, and for absolute specific resemblance, are generally recognizable likenesses. Now and then indeed is to be found a carving which is noteworthy for spirited execution and faithful modeling. The best of them are far superior to the best executed carvings from the mounds, and, are much worthier objects for comparison with modern artistic work. ”

“ The hawk, heron, woodpecker, crow, beaver, otter, wild cat, squirrel, rattlesnake, and others, have all figured largely in the totemic divisions of our North American Indians. Their sacred nature too would enable us to understand how naturally pipes would be selected as the medium for totemic representations. It is also known to be a custom among Indian tribes for individuals to carve out or etch their totems upon weapons and implements of the more important and highly prized class, and a variety of ideas, superstitious and other, are associated with the usage ”

“ In this connection it is interesting to note that even among tribes of the Northwest, the Haidahs, for instance, whose carvings or paintings of birds and animals are almost invariably treated in a manner so highly conventional or are so distorted and caricatured as to be nearly or quite unrecognizable, it is still some natural object, as a well known bird or animal, that underlies and gives primary shape to the design. However highly conventionalized or grotesque in appearance such artistic productions may be, evidences of an underlying imitative design may always be detected ”

“ It is necessary, however, before advancing theories to account for facts to first consider the facts themselves, and in this case to seek an answer to the question how far the identification of these carvings of supposed foreign animals is to be trusted. Before noticing in detail the carvings supposed by Squier and Davis to represent the manatee, it will be well to glance at the carvings of another animal figured by the same authors which, it is believed, has a close connection with them. ”

“ If he choose to assume that they were really intended as imitations, although in many particulars unlike the animals he wishes to believe them to represent, and that they are as close copies as can be expected from sculptors not possessed of skill adequate to carry out their rude conceptions, he will practically have abandoned the position taken by many prominent archæologists with respect to the mound sculptors' skill, and will be forced to accord them a position on the plane of art not superior to the one occupied by the North American Indians. ”

“ Archæologic treatises are full of warning lessons of this kind, and the interpretations given to ancient works of art by the erring pencil of the modern artist are responsible for many an ingenious theory which the original would never have suggested. It may well be that future investigations will show that the one peculiarity which distinguishes the so-called Elephant Mound from its fellows is really susceptible of a much more commonplace explanation than has hitherto been given it. ”