Alfred Ogle Maskell, 1911 Encyclopædia Britannica (1911)
“ Throughout the Carlovingian period, the examples of ivory sculpture which we possess in not inconsiderable quantity are of extreme importance in the history of the early development of Byzantine art in Europe. And when the Western world of art arose from its torpor, freed itself from Byzantine shackles and traditions, and began to think for itself, it is to the sculptures in ivory of the Gothic art of the 13th and 14th centuries that we turn with admiration of their exquisite beauty of expression. ”
