Herbert C. White

Herbert C. White

Summary

Portrait of Herbert C. White Herbert C. White Peking the Beautiful (1927)

PEKING, for ages the center of art and culture, the pride of an ancient and glorious civilization, has within its crenelated walls the best that China has ever produced in literature, art, and architecture. To appreciate China, therefore, one must first see Peking. To have seen Peking is to have seen something far more than a mere town inclosed by mammoth walls. The great Northern Capital possesses individuality. It radiates an atmosphere that is "different." It is like nothing else on earth, and that is in itself a rare merit.
Source: Wikisource

Portrait of Herbert C. White Herbert C. White Peking the Beautiful (1927)

Here on the topmost terrace we look down on what is certainly the most beautiful view in Peking. As we look out over the treetops toward the south, a panorama of surpassing loveliness spreads out before us. On our right is the picturesque Nan Hai, or South Sea Gardens, with their colorful pavilions and artistic rockeries "sharply outlined, yet idealized by distance," On the left, within crenelated pink walls, rise row upon row, acre upon acre of gleaming yellov tile roofs—the myriad palaces, temples, and dwelling pavilions of the Forbidden City.
Source: Wikisource

Portrait of Herbert C. White Herbert C. White Peking the Beautiful (1927)

Panting for breath we at last reach the top, and there under the cool shade of broad verandahed pavilions, we sit down to rest and enjoy the wonderful panorama spread out before us. It is a charming scene that we look down upon—"just like a description from the Arabian Nights," says Juliet Bredon—"a fairyland of quaint-shaped summer houses, soft pink walls, rainbow roofs, lacquered columns, white marble arches and camel-back bridges against the background of the hills, so varied in outline, so soft and tender and beautiful in their ever-changing colors."
Source: Wikisource

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