Summary

Portrait of James Boswell James Boswell Critical Strictures on the New Tragedy of Elvira…

The Trial of the Prince moves the Hearts of those Monsters of Iniquity, those Members of Inquisition, when the less humane Audience are in Danger, from the Tediousness of two insipid Harangues of falling fast asleep. This majestic Scene is too exactly copied from a Trial at the Old Bailey, to have even the Merit of Originality. And indeed it is to the Lenity of the King of Portugal that we owe by far the greater Part of this amazing Play. The good Man lets his rebellious Subjects out of Prison to chat with him, when a wiser Monarch would have kept them close confined in Newgate.
Source: Gutenberg

Portrait of James Boswell James Boswell Critical Strictures on the New Tragedy of Elvira…

Bad as this Play is, yet will the Author have the Profits of his Three Nights: Few on the First Night having either Taste or Spirit to express their Disapprobation. Like the Rascals who plundered Lisbon after the Earthquake, Mr. David Malloch will extract Guineas out of Rubbish.
We shall now give, in a few Words, the Quintessence of this Play. Monarchs ought to be just. Heroes are bad Men. Husbands ought to die for their Wives, Wives for their Husbands. We ought to govern our Passions. And the Sun shines on all alike.
Source: Gutenberg

Portrait of James Boswell James Boswell Critical Strictures on the New Tragedy of Elvira…

CRITICAL STRICTURES, &c.
In our Strictures on the Tragedy of Elvira, we shall not hasten all at once into the midst of Things, according to the Rules of Epic Poetry; Heroic Poems and Remarks on New Plays, are things so essentially different, that they ought not to be written by the same Rules. Had Mr. Malloch been aware of these Distinctions in writing, which surely are not very nice, he probably would have discovered that Scenes admirably adapted for forming a Burlesque Tragedy, would never succeed in forming a serious Drama.
Source: Gutenberg

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