James Huneker

“ Music, surely, was the art nearest akin to odour. A superb and subtle chord floated about him; it was composed of vervain, opoponax, and frangipane. He could not conceive of a more unearthly triad. It was music from Parsifal. Through the mists that were gathering he savoured a fulminating bouquet of patchouli, musk, bergamot, and he recalled the music of Mascagni. Brahms strode stolidly on in company with new-mown hay, cologne, and sweet peas. Liszt was interpreted as ylang-ylang, myrrh, and maréchale; Richard Strauss, by wistaria, oil of cloves, chypre, poppy, and crab-apple. ”

“ The unison passages that mount and recede were iridescent columns of mist painted by the moonlight and swaying rhythmically in the breeze. Here was something rare. No longer conscious of the technical side of the playing, so spiritualized was it, so crystalline the touch, Davos forgot his manners and slipped through the gateway, through the dark garden, toward an open window in which burned a solitary candle. The mystery of this window and the quicksilver dartings of the music—gods, what a touch, what gossamer delicacy!—set his heart throbbing. He forgot his sick nerves. ”

“ But the magician or devil who revealed this phantasmagoria of the Cosmos—how had he wrested from the Inane the Tune of Time that in a sequence of chromatic chords pictured the processes of the eternal energy? Was this his sin, the true sin against the Holy Ghost? How had he blundered upon the secret of the rhythmic engine which spun souls through the ages? No man could live after this terrific peep at the Ancient of Days. Debora's eyes peered into Ferval's, filled with the music that enmeshes. ”

“ As the music buzzed he saw the great ladder of life, the lowermost rungs resting in lakes of melted amber, the top threat [Pg 320] ening the remotest rims of the universe. And still the Tune of Time whirred on, as facet after facet of the Infinite wheeled toward creation. Numberless legions of crumpled nightmare shapes modulated into new, familiar forms. Ferval saw plasmic dew become anthropoidal apes, fiercely roaming primeval forests in search of prey. The music mounted ever upward, for the Tune of Time is the Tune of Love—love and its inseparable shadow, hate, fashion the firmament. ”

“ With a sluggish movement the music uncoiled itself like a huge boa about to engulf a tiny rabbit. The simile forced itself against her volition; all this monstrous preparation for a—rabbit! In a concert-hall the poetic idea of the tone-poem was petty. And the churning of the orchestra, foaming hysteria of the strings, bellowing of the brass—would they never cease! [Pg 7] Such an insane chase after a rabbit! Yes, she said the word to herself and found her lips carved into a hard smile, which she saw reflected as in a trick mirror upon the face of Elvard Rentgen. ”

“ Berenice was amused by a dinner en ville and a theatre party, and then Hubert Falcroft became a friend of the household. When Mineur was away painting, the visits were not interrupted.
"Listen," said Madame Mineur; "I wish to speak with you seriously, my dear friend." She made a movement as if to place her hand on his shoulder, but his expression—his face was in the light—caused her to transfer her plump fingers to her coiffure, which she touched dexterously. Hubert was disappointed.
"I am listening," he answered; "is it a sermon, or consent—to that portrait? Come, give in—Elaine." ”

“ He steals all his profundities of art from dead philosophers. He is not a genuine poet. He is not a dramatist. I swear to you that he is now the butt of artistic Paris. The Princesse de Lancovani made him—she is another of his sort. He was the mode; now he is desperate because his day has passed. He knows you are rich. He desires your money, not you. I discovered that he was coming here this day. Oh, I am cleverer than he. I followed. Here I am to save you from him—and from yourself—he is not now below in the salon."
"Please go away!" indignantly answered Ermentrude. ”

“ How marshal odours as melodies in a symphony, as colours on a canvas?" She made an impatient gesture.
"And how like an amateur you talk. Melody! When harmony is infinitely greater in music! Form! When colour is infinitely greater than line! The most profound music gives only the timbre—melodies are for infantile people without imagination, who believe in patterns. Tone is the quality I wish on a canvas, not anxious drawing. ”

“ His voice rose in passion, his face worked in anger, and he shook his clenched fists at an imaginary universe. So this man of peace was a destroyer, after all! Gerald aroused him. Again he asked pardon. Mila was nowhere to be seen, and with a sinking at the heart new to his buoyant temperament, Gerald bade the magician good night. It was arranged that he would leave the next day, for, like Milton, he was haunted by "the ghost of a linen decency." But that night he did not sleep, and no sound of music came to his ears from Mila's chamber. ”

“ The painter at least copies or interprets real life; while the composer dips his finger in the air, making endless sound-scrolls—noises with long tails and whirligig decorations like foolish fireworks—though I think the art of the future will be pyrotechnics. Mad, mad, I tell you! But whether mad or not matters little in our land of freedom, where all men are born unequal, where only the artists are sad. They are useless beings, openly derided, and when one is caught napping, doing something that offends church or State or society, he is imprisoned. ”

“ Death is the grand revealer, he thought; death alone stamps upon the crumbling canvas of mortality the truth. Rhoda was dead. Yet her face was alive for the first time. He saw its truth; and he shuddered, for he also discerned the hate that had lurked a life long in its devious and smiling expressions—expressions [Pg 147] like a set of scenery pushed on and off as the order of the play demanded. Oh, the misery of it all! He, Monross, poet, lover, egoist, husband, to be confronted by this damnable defiance, this early-born hate! ”

“ Under a tent, as at a fair, he assembled the mangled masterpieces of Bach, Gluck, Beethoven, Weber, Schubert, Schumann, Chopin, and to a gullible public sold the songs of these music-lords—songs that should swim on high like great swan-clouds cleaving skies blue and inaccessible. And his music was operatic, after all, grand opera saccharine with commonplace melodies gorgeously attired—nothing more. Wagner, declared the indignant critic, was not original. He popularized the noble ideas of the masters, vulgarized and debased their dreams. ”

“ The composer would not stir, despite the invitation of the critic or the pleading of his wife. He knew that the angel wings of inspiration had been brushing his brow all the morning, and such visits were too rare to be flouted. He sat at his piano and in a composer's raucous varied voice, imitated the imaginary timbres of orchestral instruments. Sent forth, Mrs. Van Kuyp and Rentgen slowly walked into the little Parc of Auteuil, once the joy of the Goncourts.
"Musicians are as selfish as the sea," he asserted, as they sat upon a bench of tepid iron. She did not demur. ”

“ Pobloff calculated his monthly salary at forty roubles.
"No, Excellency, the coffee will be hot and refreshing at Kerb, where we arrive about seven." He cleared his throat, put out his hand, bowed low, and disappeared. The composer grumbled. Kerb!—not until that wretched eyrie in the clouds! And such coffee! No matter. Pobloff never felt in robuster health; his irritable nerves were calmed by a sound night's sleep. The air was fresher than down in the malarial valley, where stood the shining towers of Balak; he could see them pinked by the morning sun and low on the horizon. ”

“ Buddha! Was there ever a Buddha? And if there was not, was there ever such a personality as Christ's? Scholar that he was he knew that myth-building was a pastime for the Asiatic imagination, great, impure, mysterious Asia—Asia the mother of all religions, the cradle of the human race. To deny the objective existence of Christ would set at rest all his doubts, one overwhelming doubt swallowing the minor doubts. He had never speculated at length upon the Christ legend, for did not Renan, yes, that silky heretic, believe in the personality of Jesus, believe and lovingly portray it? ”

“ It was as if the monotonous beat of the music were duplicated in some sounding mirror, some mirror that magnified hideously, hideously mimicked the melody. Yet these footfalls murmured as a sea-shell. Every phrase stood out before the pianist, exquisitely clear; his brain had only once before harboured such an exalted mood. There was the expectation of great things coming to pass; dim rumours of an apocalyptic future, when the glory that never was on sea or land should rend the veil of the visible and make clear all that obscures and darkens. ”

“ Believing that he was the victim of a mystification, Ferval waited, his pulses beating as if he had been running too hard. The girl slowly moved her glorious eyes in his direction; light as they were in hue, their heavy, dark lashes gave them a fantastic expression—bright flame seen through the shadow of smoke. He felt his own dilating as she opened her throat and poured out a broad, sonorous stream of sound that resolved into Von ewiger Liebe by Brahms. He had always loved deep-voiced women. Had he not read in the Talmud that Lilith, Adam's first wife, was low of voice? ”

“ I have tracked it down until I am the master who by a touch can liberate elemental forces, which will not destroy, like those of Illowski's, but will elevate the soul and make mankind one great nation, one loving brotherhood. Ah! to open once more those doors of faith closed by the imperious dogmas of science—open them upon a lovely land of mystery. Mankind must have mystery. And beyond each mystery lies another. This will be our new religion."
Gerald had caught the enthusiasm of this swelling prologue and rose, his face alight with curiosity. ”

“ For years I have bethought me of a drama, a gigantic world-drama which shall embody all the myths of mankind, all the noblest thoughts of the philosophers. I shall take the Buddha myth, surely the supreme myth, and transpose its characters to Jerusalem. A humble Jew shall be my Buddha. He shall be my revenge on our conquerors; for my people have been trampled upon by the insolent Romans, and who knows—a Jewish God, a crucified God, may be worshipped in the stead of Jupiter and his vile pantheon of gods and goddesses! ”

“ I am the possessor of the rainbow secrets—for somewhere in Iceland, a runic legend runs, there is a region vast as night, where all the rainbows—worn out or to be used—drift about in their vapoury limbo. I have the key to this land of dreams. Over the earth I shall float my rainbows of art like a flock of angels. With them I propose to dazzle the eyes of mankind, to arouse sleeping souls. From the chords of the combined arts I shall extort nobler cadences, nobler rhythms, for men to live by, for men to die for! ”

“ He met the faithful Colange, one-time attendant of Flaubert, and from him learned exacerbating details of the novelist's lonesome years; so he was in a mood of irritation as he went ashore near the Boïeldieu Bridge and slowly paced toward his hotel. He loved this Norman Rouen, loved the battered splendour of Nôtre-Dame Cathedral, loved the church of Saint-Ouen—that miracle of the Gothic, with its upspringing turrets, its portal as perfect as a Bach fugue. And in the Solferino Garden he paid his tribute of flowers at the monuments of Maupassant and Flaubert. Ferval was modern in his tastes ”

“ No wonder anarchy is thriving, no wonder every true artist is an anarch, unavowed perhaps, yet an anarch, and an atheist."
"Not so fast!" interrupted Arved. "I'm an anarchist, but I don't believe in blowing up innocent policemen. Neither do you, Quell. You wouldn't hurt a bartender! Give an anarchist plenty to drink, and he sheds his anarchy like a shirt. There are, I have noticed, three stages in the career of a revolutionist: destruction, instruction, construction. He begins the first at twenty, at forty he is teaching, at sixty he believes in society—especially if he has money in the bank." ”

“ In Paris the waiter who shows that he has ears, or eyes, or a heart, except in the exercise of his functions, is lost. He is bound to be caught and his telltale humanity scourged by instant dismissal. So when those fathomless eyes glittered in his direction, his knees trembled, and a ball of copper invaded his throat. He could barely drag himself to her side and ask if he could help her. A burst of impertinent laughter greeted him, and Madeleine cried:—
"Your blond garçon seems smitten, Aholibah!" ”

“ Elaine—let us reason. I loved you since the first moment I met you. It is folly to talk of Mineur and my friendship for him. I dislike, I despise him. It is folly to talk of Berenice and her childish pranks. What if she did cruelly spoil my work, our work! She will get over it. Girls always do get over these things. Let us accept conditions as they are. Say you love me—a little bit—and I'll be content to remain at your side, a friend, always that. I'll paint you again—much more beautifully than before." He was hoarse from the intensity of his feelings. ”

“ He quarrelled with the piano manufacturers for their obstinate adherence to the old-fashioned clumsy action; everything had been improved but the keyboard—that alone was as coldly unresponsive and inelastic as a half-century ago. He had fugitive dreams of wires that would vibrate like a violin. The sounding-board of a pianoforte is too far from the pianist, while the violinist presses his strings as one kisses the beloved. ”

“ If hearing is a miracle, so is touch; the ear is not a resonator, as has been so long maintained, but an apparatus which records variations of pressure. This makes it subservient to the laws of sensation; touch and hearing are akin. It aroused the pride of Davos after he had read the revolutionary theories of Pierre Bounier regarding the touch. So subtle could the art of touch be cultivated, the pianist believed, that the blind could feel colour on the canvas of the painter. ”