John Ames Mitchell

John Ames Mitchell

Summary

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory

Pats labored on the raft, but the work was long. A float that would bear in safety two people down the river’s current–and possibly out to sea–demanded size and strength and weight. Felling trees, trimming logs, and steering them down the river to the “ship-yard,” proved a slower undertaking than had been foreseen. But nobody complained. The air they breathed and the life they led were in themselves annihilators of despair. It was an exhilarating, out-of-door life,–a life of love and labor and of ecstatic repose.
Both Elinor and Pats were up with the sun, and the days were never too long.
Source: Gutenberg

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory

On pleasant evenings Pats and Elinor often went to the beach below and sat upon the rocks, always attended by Solomon, the only chaperon at hand. Here they were nearer the water. And one evening they found much happiness in watching a big, round moon as it rose from the surface of the Gulf. The silence, the shimmer of the moonlight on the waters–all tended to draw lovers closer together. Already the heads of these two people were so near that the faintest tone sufficed.
Source: Gutenberg

Portrait of John Ames Mitchell John Ames Mitchell The Pines of Lory

Both the cottage and the point of land on which it stood were hidden in the fog. As they tramped along this beach, on the hard wet sand, the wind and rain from the open sea came strong against their faces.
“It will be good to get back,” said Elinor.
“Yes, but I like this better,” and Pats drew the rubber blanket a little closer still. “Our life at the cottage is too confined; too cut and dried, too conventional and ceremonious.”
“Too much company?”
“No, just enough. But too much routine and sameness. Above all, it is too laborious. The charm of this life is having no chores to be done.
Source: Gutenberg

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