John McLure Hamilton

John McLure Hamilton

Summary

Portrait of John McLure Hamilton John McLure Hamilton Men I Have Painted (1921)

Many kindly men are, at times, distant, cold, forbidding, and rude; in fact, the kind man can be cruel. The man who is proverbially courteous to all, and at all times, is a hollow and selfish mask.
And I did not like his appearance or his dress, the mode of his hair, a certain kind of classical beauty—or imitation of it. The cut of his clothes created the impression that he had no real tradition behind him. At that time—and ever after—Leighton looked upon Whistler as a queer fish, amusing no doubt, but to be suspected, both in his manners and in his Art.
Source: Wikisource

Portrait of John McLure Hamilton John McLure Hamilton Men I Have Painted (1921)

The faces of statesmen looked down from the walls upon a scene that must have recalled many a similar episode in their own lives, for the drawings, mostly by Richmond the elder, were in themselves evidence of the relation between portrait-painter and patron.
Mr. Gladstone was, to me, very beautiful. I never tired of admiring him, and was always filled with the desire to paint or draw him in every pose he assumed. His colour was luminous; that is, his face seemed to irradiate light, to reflect light where most faces absorb it. These luminous faces are rare in women and more so in men.
Source: Wikisource

Portrait of John McLure Hamilton John McLure Hamilton Men I Have Painted (1921)

Lawyers and priests deal with the accidents of life. Art is concerned with realities. History makes too much of the soldier and the statesman, and too little of the artist. A great tapestry is a record of real achievement in the realm of beauty that surpasses the most eloquent tribute of words to the deeds of kings.
I tried hard to paint Mr. Balfour, but somehow he managed to elude me. And a strange thing happened. All painters are conscious of the phases of a portrait as it grows on the canvas, how it resembles in turn each and every member of the family of the person painted.
Source: Wikisource

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