John Morley

“ Byron helped to clear the air of this. His fire, his lofty spaciousness of outlook, his spirited interest in great national causes, his romance, and the passion both of his animosity and his sympathy, acted for a while like an electric current, and every one within his influence became ashamed to barter the large heritage of manhood, with its many realms and illimitable interests, for the sordid ease of the hearth and the good word of the unworthy. He fills men with thoughts that shake down the unlovely temple of comfort. ”

“ Every passion and fit, from the bloody days of September down to the gloomy walks by the banks of the Aube, and the prison-cry that 'it were better to be a poor fisherman than to meddle with the governing of men,' would have found itself there. It is true that in Byron we miss the firmness of noble and generous hope. This makes him a more veritable embodiment of the Revolution than such a precursor as Rousseau, in whom were all the unclouded anticipations of a dawn, that opened to an obscured noon and a tempestuous night. ”

“ They do not know how to think nothing but ill of a whole generation, that lifted up its voice in heartfelt complaint and wailing against the conceptions, forms, and rulers, human and divine, of a society that the inward faith had abandoned, but which clung to every outward ordinance; which only remembered that man had property, and forgot that he had a spirit. This is the complaint that rings through Byron's verse. It was this complaint that lay deep at the bottom of the Revolution, and took form in every possible kind of protest, from a dishevelled neckcloth up to a profession of atheism. ”

“ The result of the confusion has been that grave men and women have applied themselves to investigate and judge Byron's private life, as if the exact manner of it, the more or less of his outrages upon decorum, the degree of the deadness of his sense of moral responsibility, were matter of minute and profound interest to all ages. As if all this had anything to do with criticism proper. It is right that we should know the life and manners of one whom we choose for a friend, or of one who asks us to entrust him with the control of public interests. ”

“ We look out upon a wild revolutionary welter, of vehement activity without a purpose, boundless discontent without a hope, futile interrogation of nature in questions for which nature can have no answer, unbridled passion, despairing satiety, impotence. It is too easy, as the history of English opinion about Byron's poetic merit abundantly proves, to underrate the genius which mastered so tremendous a conflict, and rendered that amazing scene with the flow and energy and mingled tempest and forlorn calm which belonged to the original reality. ”

“ To perceive and admit this is not to disparage Byron's achievements. To be most deeply penetrated with the differentiating quality of the poet is not, after all, to contain the whole of that admixture of varying and moderating elements which goes to the composition of the broadest and most effective work. Of these elements, Shelley, with all his rare gifts of spiritual imagination and winged melodiousness of verse, was markedly wanting in a keen and omnipresent feeling for the great course of human events. All nature stirred him, except the consummating crown of natural growth. ”

“ BYRON.
It is one of the singular facts in the history of literature, that the most rootedly conservative country in Europe should have produced the poet of the Revolution. Nowhere is the antipathy to principles and ideas so profound, nor the addiction to moderate compromise so inveterate, nor the reluctance to advance away from the past so unconquerable, as in England; and nowhere in England is there so settled an indisposition to regard any thought or sentiment except in the light of an existing social order, nor so firmly passive a hostility to generous aspirations, as in the aristocracy. ”

“ That constancy and permanence, of which the family is the type, and which is the first condition alike of the stability and progress of society, was obliterated from thought. As if the wonders that have been wrought by this regulated constancy of the feeling of man for man in transforming human life were not far more transcendently exalting than the contemplation of those glories of brute nature, which are barbaric in comparison. ”

“ Many a man whose affectations and assumptions are a proverb, has lost the magnificent virtue of simplicity, for no other reason than that he needed courage to take his own measure, and so finally confirm to himself the reality of his pretensions. With Byron, as with some of his prototypes among the men of action in France and elsewhere, theatrical ostentation, excessive self-consciousness, extravagant claims, cannot hide from us that their power was secretly drained by an ever-present distrust of their own aims, their own methods, even of the very results that they seem to have achieved. ”

“ The seven centuries that flowed between the spiritual mind of Europe when Saint Bernard was its spokesman, and the spiritual mind of which Byron was the interpreter, had gradually dissolved these certitudes, and the faint lines of new belief and a more durable order were still invisible. The assurance of science was not yet rooted, nor had men as yet learned to turn back to the history of their own kind, to the long chronicle of its manifold experiences, for an adequate system of life and an inspiring social faith. ”

“ The last appalling stroke of annihilation itself is measured with purest fortitude by one, whose religious contemplation dwells most habitually upon the sovereignty of obdurate laws in the vast revolving circle of physical forces, on the one hand, and, on the other, upon that moral order which the vision and pity of good men for their fellows, guiding the spontaneous energy of all men in strife with circumstance, have raised into a structure sublimer and more amazing than all the majesty of outer nature. ”

“ This was an appeal less to nature than from man, just as we have said that Byron's was, and hence it was distinct from the single-eyed appreciation and love of nature for her own sake, for her beauty and terror and unnumbered moods, which has made of her the mistress and the consoler of many men in these times. In the days of old faith while the catholic gods sat yet firm upon their thrones, the loveliness of the universe shone to blind eyes. ”

“ Harold is held in a middle way of poetic melancholy, equally far from a speechless despair and from gay and reckless licence, by contemplation of the loveliness of external nature, and the great exploits and perishing monuments of man in the past; but he, equally with the others, embodies the paradoxical hope that angry isolation and fretful estrangement from mankind are equivalent to emancipation from their pettiness, instead of being its very climax and demonstration. ”

“ Byron was touched by the same fire. The contemporary and friend of the most truly spiritual of all English poets, Shelley, he was himself among the most essentially political. Or perhaps one will be better understood, describing his quality as a quality of poetical worldliness, in its enlarged and generous sense of energetic interest in real transactions, and a capacity of being moved and raised by them into those lofty moods of emotion which in more spiritual natures are only kindled by contemplation of the vast infinitudes that compass the human soul round about. ”

“ Shakespeare did not walk in imagination with the great warriors, monarchs, churchmen, and rulers of history, nor conceive their conduct, ideas, schemes, and throw himself into their words and actions, without strengthening that original taste which must have first drawn him to historical subjects, and without deepening both his feeling for the great progression of human affairs, and his sympathy for those relative moods of surveying and dealing with them, which are not more positive, scientific, and political, than they may be made truly poetic. ”

“ The succession of moods is identical. Overthrow, rage, intense material energy, crime, profound melancholy, half-cynical dejection. The Revolution was the battle of Will against the social forces of a dozen centuries. Men thought that they had only to will the freedom and happiness of a world, and all nature and society would be plastic before their daring, as clay in the hands of the potter. They could only conceive of failure as another expression for inadequate will. Is not this one of the notes of Byron's Ode on the Fall of Bonaparte? ”

“ There is no better proof of the enormous force of Byron's genius than that it was able to produce so fine an expression of elements so intrinsically unfavourable to high poetry as doubt, denial, antagonism, and weariness. But this force was no guarantee for perpetuity of influence. Bare rebellion cannot endure, and no succession of generations can continue nourishing themselves on the poetry of complaint, and the idealisation of revolt. ”

“ There is a sense in which biographical detail gives light to criticism, but not the sense in which the prurient moralist uses or seeks it. The life of the poet may help to explain the growth and prominence of a characteristic sentiment or peculiar idea. Knowledge of this or that fact in his life may uncover the roots of something that strikes, or unravel something that perplexes us. Considering the relations between a man's character and circumstance, and what he produces, we can from this point of view hardly know too much as to the personality of a great writer. ”

“ If, however, it is impossible that Byron should be all to us that he was to a former generation, and if we find no direct guidance in his muse, this is no reason why criticism should pass him over, nor why there may not be something peculiarly valuable in the noble freedom and genuine modernism of his poetic spirit, to an age that is apparently only forsaking the clerical idyll of one school, for the reactionary mediævalism or paganism, intrinsically meaningless and issueless, of another. ”

“ May we not say, too, in parenthesis, that the man is the votary, not of wisdom, but of a bald and shapeless asceticism, who is so excessively penetrated with the reality, the duties, the claims, and the constant hazards of civilisation, as to find in himself no chord responsive to that sombre pensiveness into which Obermann's unfathomable melancholy and impotence of will deepened, as he meditated on the mean shadows which men are content to chase for happiness, and on all the pigmy progeny of giant effort? ”

“ A sentimentalism arose, which is in art what the metaphysical method is in philosophy. Yet a literature was born of it, whose freshness, force, elevation, and, above all, a self-assertion and peculiar aspiring freedom that have never been surpassed, still exert an irresistible attraction, even over minds that are furthest removed from the moral storm and disorder, and the confused intellectual convictions, of that extraordinary group. ”

“ In other words, the characteristically modern inspiration is the inspiration of law. The regulated play of forces shows itself as fit to stir those profound emotional impulses which wake the artistic soul, as ever did the gracious or terrible [Pg 237] gods of antique or middle times. There are glories in Turner's idealisation of the energies of matter, which are at least as nobly imaginative and elevated, in spite of the conspicuous absence of the human element in them, as the highest products of the artists who believed that their work was for the service and honour of a deity. ”