John Nevil Maskelyne

John Nevil Maskelyne

Summary

Portrait of John Nevil Maskelyne John Nevil Maskelyne Sharps and Flats

Probably it was at no very recent date in the history of card-playing that some genius first recognised the advantage which would accrue to a player who could devise some means of placing a distinctive mark on the back of each card, imperceptible to all but himself, to indicate its suit and value. Every card-player must at some time or other have exclaimed mentally, 'Oh, if I only knew what cards my opponents hold!' There one has, then, the origin of marked cards. The sharp, above all others, desires to know his opponent's cards.
Source: Gutenberg

Portrait of John Nevil Maskelyne John Nevil Maskelyne Sharps and Flats

Indeed, it is the very simplicity of collusion that constitutes the great charm of its employment, and the great safeguard against its detection. Unlike manipulation, it can be accomplished by anyone and gives far less indication of its existence. The only drawback to it is that where there is a conspiracy there is always a chance of rogues falling out, and honest men being put in possession of the truth.
In every kind of game, and in every department of trickery, collusion has been utilised as a ready means of arriving at the consummation of the sharp's desires.
Source: Gutenberg

Portrait of John Nevil Maskelyne John Nevil Maskelyne Sharps and Flats

If this is possible in the case of a club, where there is not only a committee to investigate the bona fides of every applicant for membership, but also a large body of members presumably alive to their own interests who have to be satisfied of the fitness of the candidates for election, what chance has a mere private individual of protecting himself against the sharp and his insidious ways? Those two men, Bianco and Laforcade, must have had friends among the inhabitants of Havana, friends who would have been horrified to know the real character of those whose intimacy they found so agreeable.
Source: Gutenberg

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