Summary

Portrait of John William Draper John William Draper History of the Conflict Between Religion and Science… (1874)

When we think of the stately monastery, an embodiment of luxury, with its closely-mown lawns, its gardens and bowers, its fountains and many murmuring streams, we must connect it not with the ague-stricken peasant dying without help in the fens, but with the abbot, his ambling palfrey, his hawk and hounds, his well-stocked cellar and larder. He is part of a system that has its centre of authority in Italy..
Source: Wikisource

Portrait of John William Draper John William Draper History of the Conflict Between Religion and Science… (1874)

Cabins of reeds plastered with mud, houses of wattled stakes, chimneyless peat-fires from which there was scarcely an escape for the smoke, dens of physical and moral pollution swarming with vermin, wisps of straw twisted round the limbs to keep off the cold, the ague-stricken peasant, with no help except shrine-cure! How was it possible that the population could increase?
Source: Wikisource

Portrait of John William Draper John William Draper History of the Conflict Between Religion and Science… (1874)

But music and painting, though they may be exquisite adornments of life, contain no living force that can develop a weak nation into a strong one; nothing that can permanently assure the material well-being or happiness of communities; and hence at the time of the Reformation, to one who thoughtfully considered her condition, Rome had lost all living energy. She was no longer the arbiter of the physical or the religious progress of the world. For the progressive maxims of the republic and the empire, she had substituted the stationary maxims of the papacy.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature