Matthew Phipps Shiel

Matthew Phipps Shiel

Summary

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Race of Orven (1895)

“ The night is dark and windy; some snow has been falling, but has now ceased. In an upper room is Randolph engaged in expounding the elements of dynamics; in the room under that is Hester Dyett—for Hester has somehow obtained a key that opens the door of Randolph's room, and takes advantage of his absence upstairs to explore it. Under her is Lord Pharanx, certainly in bed, probably asleep. Hester, trembling all over in a fever of fear and excitement, holds a lighted taper in one hand, which she religiously shades with the other ”
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Race of Orven (1895)

“ She has just time to see that the whole room is in the wildest confusion, when suddenly a rougher puff blows out the flame, and she is left in what to her, standing as she was on that forbidden ground, must have been a horror of darkness. At the same moment, clear and sharp from right beneath her, a pistol-shot rings out on her ear. For an instant she stands in stone, incapable of motion. ”
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Race of Orven (1895)

“ In the struggle for quality, powers, air, he spends his strength, and yet hardly escapes asphyxiation. He can no more wriggle himself free of the psychic gravitations that invest him than the earth can shake herself loose of the sun, or he of the omnipotences that rivet him to the universe. If by chance one shoots a downy hint of wings, an instant feeling of contrast puffs him with self-consciousness: a tragedy at once: the unconscious being "the alone complete." ”
Source: Wikisource

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