Summary

Maud Summers The Summers readers: manual, first lessons in reading (1908)

The outer form varies with the age and the country, but the inner meaning is of the spirit and will outlast the centuries. Every teacher should, therefore, carefully cultivate the art of story-telling. It is far better to present a story orally than to read it from a book. If it is told, the teacher can adapt it to the needs of her classes, and by the magnetism of voice, eye, and personality awaken an abiding love for good literature. At a later period the child will enjoy reading these same stories in the reading books of the first and second grades.
Source: Gutenberg

Maud Summers The Summers readers: manual, first lessons in reading (1908)

Children are so influenced by rhythm that it is impossible to train them aright without giving due consideration to this form of expression. There are many interesting complete rhymes and poems that are valuable for reading lessons. In content the poetry of childhood should contain familiar images, tinged with enough of mystery to give that subtle mingling of sense and nonsense which stirs the imagination of the child and also relates him to the actual world in which he lives.
Source: Gutenberg

Maud Summers The Summers readers: manual, first lessons in reading (1908)

It is quite possible to have a repetition of words with an ever-changing variety in valuable thought. This variety holds the interest of the children and at the same time accustoms the eye to the repeated symbol. The symbol elements in the action sentences, observation lessons, nursery rhymes, and stories must be repeated many times, but, to preserve interest in them and to increase their meaning, the greatest care must be taken in the selection and the presentation of the thought element. If the teacher of elementary reading can master this part of her work, her success is well-nigh assured.
Source: Gutenberg

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